Serenade of Peaceful Joy (2020)

A Treasure of the Chinese Culture

This is a beautiful but tragic story depicting a rigid, conservative and orthodox society. Adapted from a novel which tells the story of Princess Huirou and her love story, for the drama, the story shifts its focus and chronicles instead the life of the father of Princess Huirou, Song Emperor Renzong who reigned from 1022 – 1063 AD. Accordingly, many developments in the novel are not included in the drama, and Huirou’s love story becomes a side story. As a chronicle which is trying to adhere as closely to the real historical record as possible, there are no "fancy" actions, no "actual" antagonists, no "exciting" plots or extreme palace politics as we see in most other historical palace dramas. The story is just being told as how history was. So if you're a history buff and appreciate historical Chinese culture, you may fall in love with this drama. If you're expecting actions and plots, you may be disappointed. For me, I love this type of dramas which are hard to come by. Sadly, not many people appreciate it, hence probably the low rating which I feel does not do justice to this beautiful drama; this drama definitely deserves a higher rating.

Many viewers may find the arguments among the ministers over trivial matters (such as the dowager empress’s attire) mundane, but it is precisely these dialogues that bring out the thinking and philosophy of the society in that era, which I find immensely interesting. Confucian moral such as filial piety, and political principles such as protocol, are utmost important at the time. I find myself listening to every sentence and every choice of words carefully, watching every facial expression and body language closely so that I don’t miss anything conveyed.

Many important historical figures are portrayed here, acted beautifully and faithfully by the various cast members. My knowledge is very limited on Chinese history and its great writers, poets, calligraphers and scholars, however upon research, I was thrilled to find them on screen and the important roles they play in history, and eventually how they shape the country. Just like the western Renaissance in the 15th century when we see the births of many great artisans, during Emperor Renzong's reign, the culture of Song Dynasty, especially literature, began to flourish. Many famous litterateurs and poets in Chinese history lived or started their creative careers during his reign, including Fan Zhongyan, Ouyang Xiu and later Su Shi, Su Zhe, among others. They became the most important litterateurs in Chinese history and also began a new era of Chinese literature.

I’m so intrigued by their etiquettes and mannerism; almost everyone speaks with so much class, self-control, poise, and they all speak rhythmically. Often, it’s like a game of reading in between the lines. Everyone is articulate. Every message is subtle and intelligent without antagonizing the other party. Each exercises the highest degree of restraint and courtesy, and yet palace politics are unavoidable as the Emperor also promotes different point of views from different factions, just like modern day politics in many democratic countries. Getting one's points across without direct confrontation is perhaps the most tactful strategy and is considered a virtue. I wish we have such virtue in today's politics. Perhaps, we'd have fewer wars and happier people. I’m so impressed to see how much value the society places on meritocracy, something that is not seen in any other countries in the era. The scholars have already understood that only with meritocracy would a country flourish. I’m also surprised to see despite an authoritarian monarchy, Emperor Renzong’s court is very democratic with checks and balances.

Wang Kai’s Emperor Renzong is brilliant, from when the Emperor was a young adult to his death at 53. Wang Kai’s acting is immaculate. He has that regal look and charisma, and yet his face radiates benevolent consistently. It's so entertaining to watch those ministers arguing over trivial matters, and the suppressed amused look on the Emperor's face, and how articulately he defuses the situations without antagonizing any parties. Wang Kai’s Renzong is a perfect emperor. Despite the glory we always associate with figures of power, Emperor Renzong’s life was filled with tragedies, regrets and resignation. As a humble and frugal emperor, we also get to see his simple and subdue outfits and unflattering palace fixtures - very different scenes from the elaborate jeweled costumes and palace grandiose that we have accustomed with. Watching the whole lives of important figures passing before our eyes, I can’t help but feel the melancholy of ancient life. Wang Kai goes from a youth to become a sickly wasted man ravaged by poor health. The beautiful verses (ci) composed by Fan Zhongyan and Yan Shu, and later sung in tenor accompanied by a flute or guqin is the most beautiful song, capturing the melancholy, fitting the mood of the drama perfectly.

One of my favorite characters is Empress Cao (Maggie Jiang). Seeing her change from a fearless young lass who disguises as a boy to attend class with fellow male students, to a scrupulous regal lady when she becomes the Empress respected by all including her enemies, is the most fascinating watch. She is the one who always makes the most articulate decisions and resolves all issues which everyone submits to. Maggie Jiang’s empress is beautiful and elegant. Highly intelligent not second to the Emperor, the Empress unfortunately lives a very resigned life. I cry in my heart for her in every episode. Her longing for the Emperor is not being reciprocated openly though he has strongly wanted to, but each time, the turn of events just prevents them showing their love and admiration for each other. That’s perhaps the most frustrating part for me, seeing both love but missing the chance to show their affection time and time again.

But my favorite character of all is Huirou the Princess, although in the drama, she's only a side character. Many viewers feel she's spoiled and has behaved badly. To me, she's ahead of her time. Had she been born in today's world 1,000 years later, she would have been a world leader loved and respected by all. She is very filial pious and kind. She loves her people. Never once has she thrown a tantrum towards her palace maids nor hurt anyone, unlike the other spoiled princesses we're so accustomed to. However, she's the type who can't stand bullies and stands up against them, either for herself or for others, and that's unacceptable in that society when the bullies are the elders (in status or age). Unlike girls in those days, she has her own mind and doesn't want her life to be arranged and controlled like a puppet. Unfortunately, being a princess, she doesn't have the luxury to do what she wants; she's a state own property. And that's a disaster for a character such as hers. Had she been a man, she would have been revered for her courage and upstandingness, but for a girl in a male chauvinistic society, poor Huirou is called spoiled, selfish, stupid, and uncouth. In the later episodes, every time when she comes on screen, I can feel her screaming silently, "Live free or die". My heart aches for her. Nobody but Liang Huaiji understands her and knows she's suffocating under the system. That's why she has such a strong bond with him. As what Huaiji has said, he's her "floating timber" [in the ocean].

I’m so amazed by the acting of all the child actors. They are adorable and very good with their respective roles. I’m most impressed by Bian Cheng who portrays the Liang Huaiji character. Extremely good looking at 15, Bian Cheng’s acting is one of the best, and he has a promising acting career ahead of him. I’m eagerly waiting for his next drama playing a main role.

Eunuchs are normally loathed characters and I’m usually weary of them, but this drama produces 2 well loved eunuchs in Zhang Maoze (Ye Zuxin) and Liang Huaiji (Bian Cheng). I even secretly wish they were not in those positions so that they can love and find happiness in marriages.

Seeing a moral standard the historical figures have set for themselves, I often wonder if our modern day’s standard even comes anywhere matches that of the ancient time. While the western nations were still groping in the Dark Ages, China was already so advance in art, science and technology. It's a nice surprise to realize that golf, among many other sports, was an ancient game played by the Chinese.

If you want a heart-wrenching love story, wuxia actions, scheming palace politics, or bitching harem, no, this drama doesn't have these. But if you love authentic Chinese history and like close to real life historical experiences, this one is a very great watch. Having said that, Huirou's and Huaiji's love story is heart-wrenching, albeit just for a few episodes towards the end.

TWO THUMBS UP!

For viewers who understand Mandarin, these videos provide valuable information on the drama and its real historical characters:

https://www.youtube.com/playlist?list=PL1OYepyRtv6CTutyZDa7SGhqESI4pWITB

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It's so much easier to criticize, and even easier to slam. In a way, that is one of the themes of this remarkable drama, which at all times aims for redemption and grace, showing vastly different people striving to be the best they can be.

The fictional storyline (the Liang merchant family in specific) and the historical framework are brilliantly woven together; at first they seem to be two different stories, but eventually are brought together for sublime, and emotionally devastating effect.

Viewers who like the easy emotional shortcuts of romances, the popular BL stories especially (where the plot illogic wrenches the characters, and all sense, into alignment with maximum angst and hurt/comfort). Angst there is here, and also hurt/comfort, but these elements don't bend the story, but arise out of it, interspersed with insight, comic moments, intellectually exciting threads as we watch the politicians striving to invent, and better, their land.

The cultural differences between then and now add their interest, but the film never loses sight of the fact that we are all human beings, a thousand years ago and now, and we have roughly the same emotional needs, faults, frailties, and strengths.

Even the characters I strongly disliked had their agency, their reasons for what they did, and their human moments, even positive moments of creating beauty, or heroic action, or emotional faltering. The resolution of one long arc was amazing in its redemptive quality, taking me by surprise--I expected (even relished the thought of) the usual bloody end. But the way this was carried out was just so much better than the usual tropey story arcs.

I see myself rewatching the entire series again, probably soon, something I have only done with NIRVANA IN FIRE, this time to relish the brilliant character moments and the way they are expertly woven together.

I have watched all Daylight's shows. I think this is their best yet.

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