A classic Taiwanese Movie. Very beautifully directed by Edward Yang. It's a new-wave movie. The most impressive aspect of the story is its visual style. The usage of unfurnished apartments, offices and alienated urban landscapes is a great illustration of emptiness embedding the protagonists. In his second feature, Edward Yang also appears to be a solid visual master showing great work with lights. The clarity of visual style, emotionally charged close-up and stylish looks and cuts are really impressive. The film might be not so moving, but the story is brilliant in its poignancy and bleakness.
