Parasite (2019)

,,You will see the consequences of social inequity shot in such a interestingly relatable manner, it will be hard to dislike it''

Filmmaker Bong Joon Ho once again surprised us with another masterpiece named Parasite. Where powerful social satire meets tragedy. The director did a great job portraying South Korea's current views on society exposing the underprivileged slums of most modern cities and it's citizens living in completely different worlds despite staying in close proximity. You are likely to find it relatable as the themes of this story are not just localized to Korea, but all over the world. Having its fair share of global capitalism and universal materialism, Meritocracy being the biggest trope of this movie.

Now, the best way to enjoy this film is to cluelessly get into it, its charm is to watch it progress and unfold in many satisfying, unexpected ways.
You can definitely see a unique directorial vision as Parasite welcomes the audience into multi-genres and tonal shifts that mix and take its turn after every act. Pure comedy, dark comedy to heavy drama, horror, thriller, mystery, you name it. It is one of the hardest things to pull off but the director converts them smoothly without letting the audience feel indifferent to the transformation. It manages to elicit the full range of responses, making the viewer react with uneasy laughter to unexpected situations that eventually lead to disturbing events full of horror.

Now, who are the real parasites? The poor who attach themselves to the rich or the rich who suck the marrow of the poor?
Satirically, it managed to portray how we may live under the same skies, but have different views regarding life.
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"You know what kind of plan never fails? No plan. No plan at all. You know why? Because life cannot be planned."

Success and fortune are reserved for those who deserve it, those who develop solid plans according to their talents and abilities and who execute those plans through hard work and determination. Anyone can rise to the top, but for those who cannot escape their sad reality will ultimately turn for the worse and thus start to justify their immoral backstabbing, deceit, and callousness for reasoning that can be only explained by growing up poor without support from others.

The characters all have different aspects to them that will be received and viewed differently due to the viewers own biases and world views. This isn't a bad thing as the movies main point is to deliver a provocative social commentary in various metaphors. And the best way to do so is to create morally questionable characters that will resemble at least one familiar person known to you.

,,Greed is inside each one of us, but the question is, how much are you willing to sacrifice for an idea of life in comfort?''
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All in all, Parasite is a fantastic case of hard-hitting yet entertaining cinema.
And one of the best movies recently made in Korea.
Thus I will rate it 9.5/10

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Marxism on acid.

Bong Joon-ho’s “Parasite” deserved more than Palme D’Or. After getting 8 minutes of a standing ovation in Cannes, this movie was just more than an award. But, I’m grateful to finally be able to watch this film and this is probably one of the best and insane movies in 2019. There is so much to talk about this movie, not just about Marxism, class consciousness, and social hierarchy, but more than a symbolism. The genius doesn’t prove we become bourgeois, but neither does the proletariat. There is a tradeoff between the two and in the satire comedy thriller drama, Joon-ho takes us into the depressing picture of a social class.

Bong Joon-ho always pokes issues about social class and hierarchy like one in “Snowpiercer", about a ruler’s fight for prosperity. In “Parasite”, Joon-ho places his audience in a unique but unusual circumstance. We try to move and also struggle to “sneak” and “alight” in the fertile flower. A detailed sequence shows the plan of deception so that this poor family is able to control the rich family. However, there is no root in this movie. Instead, we laugh at the richness of a rich family with this poor family. “Parasite” makes a serious incident into a funny yet ridiculous situation.

“Parasite” is not just a home invasion film but there is a lot of symbolism and satire both in society and country. Like for example the life of Ki-taek’s family, no more than poor families but the world has never looked at them. They are only more concerned with status, social class, and wealth compared to poor communities. The film is terrorizing its genre in horror, not just about socialism yet about people. The ladder is a strong symbolism, where the Ki-taek family may temporarily enjoy rich family wealth. When they go down a ladder, it’s not separated from the fact they still remain as a poor family.

This movie is like a rollercoaster, you want to breathe but you can’t. This is a sad experience. Seeing the Ki-taek family and other families is a suspense of the main plot. In fact, back again to a stereotypical of the rich and the poor. Poor people can be geniuses but not rich people. Conversely, rich people can have all but not for the poor. The house is a temporary place where you want to look after and care for but makes you feel comfortable about the house.

Not on intelligence but on chance. There are up and down, good and bad. But, this movie combines all of these so it’s difficult to know which ones are worthy of pity. There are just unworthy characters, jumping up one flight of stairs to another, trying to find a way up but it’s so easy to fall. Business and work aren’t shortcuts but in order to be successful, live prosperously, and become rich, there is a process. And finally, the characters in this film fail to keep their “ladder” each. All of the characters are free, as well as actors and actresses, whether a dialogue is on their expression, we really stand and easy to understand.

The acting, the camera, the tone, the symbolism, the case for this movie is just everything and I still think about it when the end-credit appears. At first, you laugh but then, between feeling sorry and sad. Bong Joon-ho presents an idea that’s easy to understand. “Parasite” is fantastic in terms of criticism, messages, plot, tone, performance, score, etc., deserved more than anything. This is a “fun” movie.

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