The action choreography is not intricately laid out. The early fights were done at night making it almost impossible to see the action. Instead of it feeling claustrophobic, it was more frustrating. This is an ugly hack at each other with swords with blood spewing and body parts flying kind of fighting. Fire is used in some fights and bodies are shown badly burned. It’s a war of vicious attrition between the handful of constables and the seemingly endless supply of bandits. I fully expected KC to cry out a quote from another movie, “Worse! How could it get any worse? We’re at the threshold of hell!”
KC may have been self-righteous, loyal to his superiors and men, and utterly ruthless to his enemies, but his true enemies knew that and used it against him. In his narrow view of the world, he completely missed who the real enemy was.
I thought Ku Feng gave a particularly sympathetic performance as the father of a blind daughter who is being hunted by KC. Chen Guan Tai conveyed a range of emotions as an obsessive constable doing his duty, as a man who cares for his men and also as a man who tastes the bitter bile of betrayal. Director Kuei Chih Hung and writer Szeto On were able to make me care about these two characters who were not easy to care for.
While I can appreciate how this movie tried to show the bleak suffering of the times, I can’t say I particularly enjoyed it. I enjoyed the performances I mentioned. I prefer the lightning fast and well-choreographed fight sequences in other martial arts movies better than these slower fights. Without a clear-cut hero to root for or characters who are on screen long enough to be invested in them, I found myself unable to connect emotionally to most of the characters. Having said that, I can see why some people really like this movie and its bleak message, if you are a fan of martial arts movies, especially from this time and from this director, it is worth giving a try. For me, though a movie I’m not sorry to have watched, it’s one I won’t revisit.
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