Reviews

Update: Now having watched it all, this drama does not disappoint. The complex plot is handled extremely well, the drama answers the questions it raises but manages to keep you in suspense right to the end. Despite the fantasy plotline, the detailed and rich characters make the show feel amazingly real.

The writing/direction/production team all paid close attention to detail and crafted both scenes and sets with clues and forshadowing that make it the perfect sort of show to rewatch.

For anyone who is into story analysis, it struck me in the closing scenes that they wrote a Hero's Journey into a romance plot (not along side it, but literally, the romance IS a hero's journey), which is really something amazing. I can't say I've ever seen it before. So, I feel like it's not hyperbole when people say this is the best show they've ever watched. It's pretty amazing.

(Original review written around episode 8 below):

There's so much going on in this series that I love. The writing is tight, well paced, and presents at the same time a fascinating puzzle of a time travel story; a deep reflection on grieving; a thriller-type murder-mystery; and a double romantic comedy, played out in different timelines. It is genuinely a cross-genre show, so don't go in expecting pure comedy OR pure drama.

The acting is fantastic. I have always thought Alice Ke was an exceptional actress and she's not disappointing here. I liked Greg Hsu in Love Storm, and he's even better in this. The whole cast is great, but these two really shine. Directing. It's brilliant. Together, the writing and directing are letting the mystery of the time travel as well as the murder unfold in a way that raises new questions as it answers old ones. The directing includes so many little details that not only draw us into the mystery of the time travel, but hint at the more overarching explanation of what is happening. There are nice little symbolisms, like the red earbuds that the leads share at times, which creates a red thread linking them. There are also many conversations and dreams that we see early on that take on new meaning as the story unfolds, giving a sense that all the details matter... there's no filler here.

There are some more ambiguous symbols as well. There's some significant representations of enclosure and separation/isolation. These could represent grief and loss, which is a major theme in the drama, but they take on additional potential meaning in terms of what is really happening... that there is loss, grief, and perhaps the potential to heal or even change the past is a given. But what isn't given is that what we see is the actual story; many of the symbols reinforce the sense of fragmented reality that the female lead experiences in both her grief and her early experience of time travel.

For example, the "broken audio/video" shifts between scenes, especially with time travel, play into the fact that in the first few episodes the transition from an ordinary story about living with grief to a supernatural story about time travel/fate is started by the use of technology, once to find a "doppleganger" and the second time to use virtual reality to "reunite" with the lost love. While nothing much is made of this (and as of the 8th episode, it hasn't become a factor), these sorts of hints are beautifully done. They make it harder to guess the overarching explanation while at the same time they work on their own. That is, if it turns out that they were never anything more than a couple of scenes in the first few episodes and had nothing to do with the over-arching story, they still work. They aren't just red-herrings to obscure the truth, they are integral moments in the character development and plot that *could* mean more.
Long story short: it's fabulous, and given how well done it is so far, I'd really be surprised if it stopped being fabulous.

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IT WAS A MESS

DISCLAIMER: this review contains my thoughts and feelings. You don’t have to agree with me I’m just giving my opinion.

Season 1 >>> Season 2

Everyone felt super performative at first. Especially Seo Eun and Seul Ki. Like you could tell they were conscious of the cameras watching them trying to appear sweet and innocent etc. Over time some got better, some got worse so let’s get into it:

Singles inferno could’ve done so much more to improve this season and entertain the contestants. There isn’t enough to do in the inferno and quite frankly paradise should only be for deepening a connection that has already been established. They act like age and career is so pivotal in getting to know someone when to me that is the least. I’m sure the contestants can find other things to talk about and be more engaged and have an interesting conversation without feeling like they have to tiptoe around everything they’re saying in fear that they might give away their age or career. Imo everyone should have an opportunity to go at least once and the show should force people out of their comfort zones and allow everyone to truly get to know everyone. For example, a person shouldn’t be able to pick the same person twice or 2 days in a row and the dates / challenges should be more inclusive. They could also throw in a wild card like if the contestant is not enjoying time with the person they chose then they have the opportunity to switch partners or something like that.

A major issue I had with the show and the men was how obsessed they were with Seul Ki. She is a positively bland person and I can’t even begin to fathom how she had all three men chasing after her. It’s obvious they only liked her because of her looks (ideal in Korean beauty standards) and because she is rich. Nothing else! It was very sad watching Dong Woo still choose her even after being rejected. And it was insane seeing her develop feelings for Jong Woo overnight just because he gave her the attention Jin Young was unable to express. I still believe Jong Woo is just a replacement for Jin Young. The way she phrased her choosing him as finally choosing the guy who chooses her first instead of going after the guy she likes??? Lmao if I was Jong Woo I would feel so hurt watching that back because I literally cringed. Anyways, I hear they’re still together now so I can only hope it worked out for the best. The back and forth with Seul Ki and her feelings which she was unsure about until the night before was so unattractive to me. Ino she is way too grown to be acting so immature and being so indecisive. I wish she and Jin Young didn’t take up the screen time but that’s exactly what happened and what the producers wanted.

Out of all the men the one I hated the most was Yoong Jae… he gave me cocky / narcissistic vibes with the way he treated So E and even Han Bin. Obviously the girl I hated the most was Seul Ki… she filled up the screen time and it wasn’t like she was interesting or had much to say. I’m sure she’s a great person deep down but I do not think dating shows are for her. The second person I found insufferable was Min Su because she stayed choosing Jin Young even though she knew Nadine liked him. Ugh it’s the way Jin young upset me with choosing Seul Ki even though he had the best connection and best vibes with Nadine. Platonic or not they were great and he would’ve been better off choosing her. But no he had to come with his bullsh*t talking about how he knows he likes a girl in 3 seconds and if he feels sparks or what not.

My favorite contestant by far was Nadine. Idc if people wanna keep saying that she was only there for her Thesis and how she spoke English to try and "flex" on the others. If you watch her YouTube channel you can see what kind of person she really is. I appreciated her genuineness because even though she was nervous and shy at first (especially because she had to speak Korean) you could tell she was a really down to earth person. And even though she didn’t end up with anyone I feel like she grew from the experience and learned to be more vulnerable and stop being afraid of approaching guys first. I love her and I will be rooting for her beyond paradise because she made the show enjoyable and made me want to stick around.

With that said, another person I think deserved so much better was Se Jeong. You could feel the colorism dripping from the screen with each episode lmao. Because she was not paper white like the rest she did not have a chance to go to paradise, make it make sense! She was gorgeous and all of the men overlooked and forgot about her just because she didn’t fit their “ideal” In the end as Jin Young said she was only “girl crush” material indicating that she wasn’t even potential girlfriend or wife material. That comment was so insulting and you’d think that the world was becoming more open and progressive but no. People still judge others by their skin color first calling it preference or “ideal” type. I don’t think Se Jeong had a real chance in the inferno and it was sad to watch her day after day be lonely. I know people are gonna say she doesn’t have a personality and is bland but that isn’t true. People should be blaming the producers and editors for not showing her scenes and overlooking her like the rest. In small moments you could see her efforts in trying to get to know the guys but they just weren’t interested in her the same way. Some of them claim to have picked her on day 1 for ideal type and changed their minds but we don’t know how true that is. I say Se Jeong just had bad luck and was around the wrong group of men.

The only couple I truly enjoyed was Se Jun and So E. So E definitely came a long way since the initial episodes… at first I did not like her and thought she was fake and willing to steal other peoples men. But that wasn’t the case… she was naive and upsetting when you’d hear her say stuff like how she’d keep trying for Yoon Jae no matter how many times he rejected her. That in itself infuriated and annoyed me so badly because we were finally seeing her true nature however it was like she couldn’t recognize that she deserved better and should stop settling for less.

I was so happy when Se Jun arrived in paradise and finally saw So E. He truly saw her and accepted her for who she was and didn’t even care about her previous connections with any of the other guys before he arrived. He really put her first and took such good care of her. His kindness and compassion towards her warmed my heart. You could really see that he just wanted her to be happy and make the most of the experience. He didn’t want her to feel obligated or pressured into choosing him, he wanted her to explore her options and make decisions of her own free will. In my humble opinion Se Jun was the best guy in paradise.

I’ve watched the reunion episode with them reacting to their clips and I have to say I’m glad the cast members have remained in contact with each other and seem friendly / like friends. That was the only outcome of the show anyways because it’s just so unrealistic for people to “fall in love” in nine (9) days. Plus in eastern culture it takes so much longer for them to trust and have a connection or even get physical. Watching this show is such a let down in comparison to other shows. If I didn’t have anything better to do I probably wouldn’t have watched. The show needs more spice but lmao this is coming from a western viewer — I like shows like too hot to handle, the bachelor / bachelor in paradise, love island etc.

I just feel like the people they show casted are all adults and should be more forthcoming with their feelings especially if they choose to sign up for a dating show that only lasts for 9 days. They’re all grown so it’s so annoying watching them keep up the innocent childish act to preserve their reputation or what not. Like cut the bs. It’s why I have to give the show a 5.5 /10. I literally feel like I wasted my life and those are hours I’ll never get back. My own fault, obviously but I’m glad I got to see persons like Nadine, Se Jun and So E. Watching them made it worth it somehow ??

Overall, I felt like the show was predictable. If you’ve watched season 1 it’s the same exact thing to expect in season 2. There’s no difference except for the cast and I presume as the seasons go along it will only become more boring because persons want to appear a certain way to the audience watching and don’t really know how to be their true authentic selves. Also parts of the show are scripted like you can’t tell me each season there will be a girl who has 3 men choosing her??? Be fucking fr

Would I recommend this to others? Probably not. Not unless you want to purposely drive yourself insane for 8 out of 10 episodes or you want to stick around for the rare gem of a couple (So E and Se Jun)

Anyway, thanks for reading!

❤️

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The two leads form a splendidly unique mixture, providing unique heartbeat and appeal to the story

“The Kidnapping Day” is all about its two great protagonists. I'm tempted to say: it is about the female lead character. The actress is simply wonderful and perfect for this character. Nevertheless, in my opinion, in her eccentric role she comes into her own so brilliantly precisely because her adult counterpart: the Kidnapper, who is just the way he is – as a rather clumsy person, he is practically the antithesis of this cheeky eleven-year-old but highly intelligent know-it-all. Yet, he ist the one who is sort of seeing, liberating and nurturing her usually neglected self, that is hidden underneath her intellectual brilliance: First of all she is just a child with all needs that come along. So, he might be not as smart as the little girl, yet he is actually the true grown up, who is not letting him be mislead by her genius, but watching out for her and intuitively caring for the child she is, too. This splendid mixture provides the unique heartbeat and appeal. So together they form this edgy team, keeping the audience in a good mood.

The plot offers a lot of humor and quite some comicalness of the situation, but there are also serious themes lingering. After all, there is an unsolved murder case. Furthermore, it is nevertheless a case of kidnapping, even if the prefix may change over time. Added to this is the sad fact that health is often a question of money. And ultimately, behind all of this, there is also the issue of abuse. “The Kidnapping Day” is also able to tackle the ever late-breaking topic of “education hype in South Korea” in an original new way, entangling it in an exciting crime thriller.

What initially starts as kidnapping quickly takes a completely different direction. The victim becomes the mastermind. The police, or at least one of the investigators, dares to think twice and appropriately take unusual paths according this unusual case. Good and evil, black and white, its blurred. Yet, there are still unscrupulous villains. We are also stumbling over complex enmeshments, lying way back in the past.

“The Kidnapping Day” knows how to deliver on a variety of levels. Accordingly, the number of viewers has more than doubled over those 12 episodes. The special charm of the two leads also got me and I was happy to stick with them. Mind you, this was basically because of the charming relationship dynamics of the two leads, and how the two shape the kidnapping scenario along the way in a pleasantly witty way, including the solving of the murder case and at last providing a solution .




P.S.
The two protagonists, their particular relationship, THAT is the clever strength and the endearing piquancy. The rest might at times come across rather careless and pallid. Obviously, this is (once more) the product of the new era that has dawned in the KDrama orbit. Numerous new networks are now happily playing along on the market, including ENA, former SKY, which has repositioned itself in 2022 in order to get involved with its own KDrama productions in the top Pay-TV segment. (ENA belongs to Korean Telekom and produced 22 series in 2023 already.)
In general, with Disney, Netflix and others, I´d say KDrama productions feel like having doubled in 2023 (I didn't count, though). But what seems like a blessing at first sight turns out to be a bit of a sham, too. Where are all the original ideas supposed to continuously come from? And if there is a promising plot idea, it is yet far from being thoroughly worked through... Quantity rarely automatically goes hand in hand with quality. And it doesn't work the other way around either. Accordingly, “The Kidnapping Day” also suffers from the ravages of time: negligence can be observed here and there. However, the main strength and driving force of this story - the strangely lovingly developing relationship of the two unconventional leads - luckily is awesome enough to carry and equilibrate.

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I loved this drama. I came for the food, stayed for everything else.

In the current jdrama and overall Asian media landscape, LGBTQ+ themes aren't the best represented. There are a lot of stories created to cater to fanservice rather than representation, and it's usual to find series and audiences that can't separate the two.

This series is incredibly well crafted, which is not only a credit to the manga that originated it but to the overall adaptation and the great performances by the cast, especially the leads. Each episode is centered on a specific meal (they even tell you how to cook it!), a meal cooked and prepared at home, which connects to the intimacy and the complexity of this couple, two men in their 40s who deal with their daily lives and their very different ways to handle their identities in their respective environments.

Shiro is a lawyer, he is reticent to coming out at work or to not be hetero-passing enough in public, at the start of the series. He is out to his parents, but doesn't speak too openly about things and overall seems a bit unsure still on how to present himself. Shiro could very well be the prototype of "unwilling" you find in BL dramas, in those in which consent is never clear and someone always has to say "no" to no avail. But he is not. Shiro is certain on his feelings and his relationship, but he needs to learn how to reconcile the different parts of his life in order to feel more sure with letting others know. He cherishes his relationship and is actually the one who marks most of the pace, there is nothing in him that isn't consensual, and conversation is a big part of the drama that lets him grow as a lead.

Kenji is a stylist, he isn't embarrassed to be flamboyant and open about his identity and his relationship. He could very well be the prototype of "flamboyant" and "feminine" in dramas, but he is not. He establishes in various instances the misconceptions of gay relationships, the difference between drag and homosexuality, the elements in presentation and gender dynamics. He is very taken by Shiro and isn't afraid to show affection, but he is also filled with self doubt and needs to learn how to communicate them better throughout the series, and how to reconcile his past with his present self.

The series is filled with moments throughout the life of these two, their encounters with other characters that will widen the lens, and you can see a lot of layers of the prejudice and complications of acceptance in Japanese society and the way in which they, and other couples, deal with those. It's a series that isn't devoid of its tear-inducing moments but it's not intending to be sad, dramatic or tragic, it's a happy story, and the leads aren't used for any sort of gratuitious emotional torture.

The food is not only great, and boy do I love dramas with a focus on food, it's also increadibly heart-warming and cozy and it provides a sense of the emotion and feeling you'll see on the episode and complements the story really well. And, meanwhile, you learn how to cook it.

I also immensely appreciate the fact that the couple is over 40, it really serves to discuss things that dramas centered on relationships almost never focus on. I feel that every time a drama focuses on a couple, it's going to be all about confusion and misunderstandings until a grand over-the-top ending. This one, though, is relatable in its simplicity and emotional depth, not only for those in relationships, but also those who are not but are still figuring out ways into adulthood in a couple of generations where the landscape of expectations and reality have changed so much. It isn't just about life in a relationship or life as an LGBTQ+ person, it's also about adult life in a very fast changing social landscape.

Overall, this was a perfect blend of a drama to me, the cast made it a great watch as well (one character has an actor change mid-way because the original had medical issues, but they pulled through really well regardless), and it's definetly great as one of those dramas you can come home to and relax watching, while also having a story that is compelling and emotional at times. I don't even hesitate giving it a 10/10, something I rearely ever do, but this one did it for me.

I can only hope there is a second season or something else from it at some point.

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loved it

i just loved it.the acting nd visual is perfect.i want season 2?❤️..please give us season 2?❤️.it feels empty now that it's finished.i don't know what else to watch next.i am stuck on this drama for now?❤️..i have no ideas why some people are giving negative reviews.it was a great drama.though it would have been better if there was one more episode.then the ending would have look more satisfying.i want another drama of both of them together.i wish there will be a season 2.Hu Yitian is soooo damn good looking.Xing Fei is sooo pretty.i loved xiao ci nd du lingfeng's character too.nd the wingmans of captain shen qingyiuan was also cherry on the top.i loved there characters also

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This is the second drama to have captured my undivided attention. I've never seen a drama that can portray mental illness, suicide, rape and such dark subjects and portray it well.



Vic and Barbies preformances were flawless and spectacular. Other than the 1 Litre of Tears drama, I've never seen such amazing acting.



The director had a habit of not playing music at times which just added to the creepy atmosphere. I thought it worked well with the scenes. When there was music, such as the theme song, they were all well chosen.



This is one drama you won't regret watching.

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I started watching this drama knowing that it will be a sad one. However, I never thought I'd fall in love with all the characters.

This drama made me think and feel emotions that are not part of the drama. It made me pause and look back on my own life. Am I happy? Did I ever make anyone around me happy? If I die will people I consider family and friends act like how Yuri's family and friends did? It made me value more the meaning of life. Thus, I believe, this drama exceeded what it was suppose to do which is to share a story. Through every episodes of the drama, it tried to impart with us a lesson we can take in life.

I'm happy that the writer did not choose to give us an ending which is absurd. It stayed true to its title. I know somewhere along the way, we somehow wished that Yuri will stay and live but we started this drama knowing that she will die again eventually, heck, the title of drama gave it away. It literally is "Hi, Bye Mama!"

This is me being greedy but I wished they had a longer epilogue for everyone. I would've loved to see how Yuri's family is coping with losing her again and of course her best friend Go Hyun Jung.

PS: I was really hoping that Lee Si Woo's character (Jang Pil-Seung ) would've gotten more screen time. But will just wish to see him more in his next project.

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This is the story that everyone deserves to see

Alright, so now I can finally write my real review of Gaya Sa Pelikula, when I first saw the trailer of Gaya, I knew I had to watch this series cause the trailer had so much packed into it but I was skeptical because I have seen so many series with like great trailers and the series would turn out to be absolute trash but that’s not what Gaya Sa Pelikula was.

IF YOU ARE READING THIS, I WOULD LIKE TO START WITH THE ENDING QUOTE OF GAYA
‘LIBERATING LOVE AND EQUAL RIGHTS, TO EVERYONE OF US, THE REAL FIGHT IS ON THE OUTSIDE. WE WILL WELCOME YOU WHEN YOU ARE READY’. This is the most important message of the series and what I want you to carry away with you

GENERAL REVIEW
Gaya is what I consider a real-life series, where it reflects actual real-life series. I am so glad it didn’t have any of the tropes you see in a lot of Thai series [I pointed out Thai because I have seen Taiwan doesn’t do this as much even Pinoy series don’t], like the ‘I am straight bro, but I just love you because mystical forces in the galaxy fell in the right places’, no, they gave me real gay characters, they gave me some hard truths about the coming out process, how some people saying the word ‘GAY’ or treat it like a taboo sometimes, they showed most of the fear and emotions that accompany coming, they didn’t paint it like this rosy path and all love, the internal conflict so many people face to come out and be themselves. Gaya was not another annoying jealousy storyline [eyes tharntype 2], it was a series that actually kept its cast small and made sure that no character was left undeveloped and they actually had a story to tell, one which they executed perfectly.
Gaya Sa Pelikula is the life story of you or someone you know; it feels really right from the get-go and everything done in it has a purpose and is very relatable. The story, cast, soundtrack, and acting are a heavenly match and have easily stepped up to become my best BL of 2020, in fact, I stopped characterizing this as a BL but a story about two people meeting and falling in love with each other, it almost emphasizes the fact that their story can be yours too.
Don’t get me wrong when I say I classify the story as a normal story, that’s not to take away from it as bl because they did definitely handle the theme of discovering one’s sexuality and oneself but it felt real to me. I almost don’t know how to explain. The cast members each had a story to tell, a different struggle to tell, a different perspective and it explored different backgrounds meeting and interacting with each other. Like the person who struggles with an identity crisis and a feeling of inadequacy [sometimes linked to their sexuality], the protective family member who sometimes oversteps certain boundaries to protect the one they love, the person with the happy smile all the time but comes from pain and struggle and how that influences their action, they might make you mad, they might have made you tear up a little, they may have made you happy or disagree with their actions but there was no wasted character, each had a purpose and honestly watching this while my day the series was like a balance, I didn’t have to deal with illogical jealousy from stupid exes kidnapping dogs for no absolute reason or trying to murder someone and everyone hugs it out at the end, no each character had a purpose and I loved that about them, that they felt real, they felt like actual people not some weird fantasy of some random person of what a BL feels likes.

CHARACTERS AND DIALOGUES
I feel the dialogues amongst the characters gave a lot of background to the characters and made them somewhat ‘real’ to me. So I would review the characters because of the dialogue they had, especially keywords or parts they said that had a lot of impact on me.

The lead characters, Karl and Vlad have such insane and beautiful chemistry, its mind-blowing, their flow is just so natural, they did not feel forced, which brought a lot to the story. To talk about the characters I would intertwine it with some key sentences and I would actually refer to this person on YouTube that made the best reviews after each episode [ if you check the comment section you would get what I mean]

Vlad is gay and open about it, he is outgoing, quite stubborn sometimes, and gives you this first impression of a rebel, but we come to see that he is this soft, cute loving guy, who is quite vulnerable and has been hurt before. Karl is someone who grew up with expectations and dreams of another placed on him, so he has never gotten the chance to be a person of his own and he is very reluctant to shake the status quo but, shortly after meeting Vlad, he becomes more courageous about his own person.
Here are some lines that I found remarkably interesting and telling of the series
1. ‘I will not be the plot device to trigger someone else’s identity crisis’
This line could honestly easily one of the most powerful lines in the series and one of the scenes that Gaya started to pull away from other series which give us this usual trope of, ‘YOU ARE DIFFERENT’ ‘YOU MAKE ME FEEL THINGS I CAN’T EXPLAIN’ ‘It is JUST YOU AND NO ONE ELSE EVER’, now don’t get me wrong, I am not saying there aren’t people that have only been with one person of the same gender, I mean my friend is an example but the fact that we have been overfed this trope in almost every series makes it tiring and annoying, SOTUS, Dark Blue Kiss, Water boy, Theory of Love, name the series, it is just like a back to back-feeding of being gay is not normal, a once in a living thing. I first loved the fact that Vlad was openly gay and proud of it. This line just held a lot of meaning to me. This line also showed me a little bit of Vlad’s history with the infamous ex that starts all his pain in the first place.
2. Do not be scared of the word, you can say it, it is not an insult, I do not mind
This line could easily be my most memorable line of the series, like if I could forget every single part of this series, I do not think I could forget those words ever in my life. This is basically I think what the LGBT community does not do on our own part sometimes, we do not educate and communicate and that was what Vlad did for Karl [I would focus more on this role in my review of my last few dialogues]. Communication and trust are the most key things in every relationship, and I appreciated how calm a reasonable Vlad was with Karl especially allowing/guiding him to come to terms ‘on his own terms’. This line kind of debunks how homophobia has changed the view of the word ‘gay’ or anything associated with it, as almost taboo, but this line presents Vlad has someone who has gone through it all and has arrived at a position that he loves, a representation that I loved.
3. I never said I was a perfect ally. I am still learning through this [I am actually not sure if this was the perfect quote but it was something along this line]
I know a lot of people were not fans of Judith, but I think she represented two important things, family as well as being an ally. Let me start with the ally part, I actually argued with someone about Judith’s role during the dinner and being an ally, but I linked it back to her statement in the past, now I am not excusing Judith for putting Karl on the spot, she crossed the line but at that moment, she was not being an ally but a sister rather, a sister who for the love of her brother wanted to protect him from heartbreak. What she right, we can debate that, but the truth is that is what a lot of family members would do, not just for their gay family member but for any family member. At the ending of everything she was a sibling first before an ally and the truth is that sometimes we are too quick to ‘cancel’ people for not being the perfect ally but honestly, I do not think we have a single perfect ally in the world, every ally is just learning at their own pace and the conditions that surround a particular ally of the community definitely impacts their behavior both past and present, Judith represents that, her change from someone that bullied Vlad with her words when she was younger and naïve to someone ready to protect him shows how a lot of families really process in real life. I feel she was a very necessary character to tie this together. Because Judith shows the potential of people to grow and for their mindsets to change, as well as what a single conversation can change
4. “I don’t know if I’m like you. I don’t even know who I am”
This statement perfectly represents Karl and so many people in the world, when we first meet Karl we understand that his image in the eyes of his parents is very important and we come to learn along the line, his parents stopped differentiating between him and his dead brother. He grew up carrying the burdens of living his brother’s life to make his parents, from a young age he never got to know who KARL FEDRICK ALMASEN was and this is representative of so many people, basically empty shells working around. I mean I was a law student, I have had the pleasure of having parents that have supported me through and through everything but I know so many friends in law school who were just there because their parents were judges or owned powerful law firms and the mere thought of disappointing their parents seemed like an impossible scenario. Many people in life don’t actually know who they really which made Karl’s struggle more real, cause he represented so many people who never got to know themselves, discover what they actually wanted, but the truth is that we need to all face those scary truths, at our own time but eventually we do and if we are forced to face them before it’s the right time, a lot of people will shut off to the world.
I think it was great that Karl was actually given the time to face what he needed to face at his own time [like I said I would treat their contrasts in the review of the last episode dialogues]. The truth is that it is scary to face the truth and we got showed that so many times in Gaya, but what is most important is that we move our own pace, we shouldn’t be forced to rush.
5. I don’t know if I can point to a specific quote to Anna and her child but I felt the need to mention, I think I would probably discuss it with Santi [contrasting Santi with Karl and Vlad]
Anna represents when a change comes into your life, how to accommodate that new change but at the same time not lose yourself, trying to balance out the new change to your entire life while maintaining you, cause sometimes, when you lose yourself, you start to hate that thing or person who changed you. Anna wasn’t abandoning her child with her getaway but making sure she was intact herself, that she was complete as a human, because how do you raise a child if there are parts of you that are fundamentally missing a part, you cannot give what you do not have, hence her actions would impact her child more than mere words [as we see is the pattern with so many families, kids tend to pick up the traits of their parents whether intentionally] and honestly I think every human deserves that tiny bit of greediness and self-love.
For Santi, he mentioned something about not growing up with love in the finale and it reminds me of the privilege that LGBT youth like myself that is in their 20s or younger enjoy. Things were not always like this, we genuinely need to appreciate that people fought to get to where we are and that’s why it bothers me a lot when my generation wants to throw away the work the older generation has done to get to where we are, I know they aren’t perfect, they have messed up majorly but we must also respect and recognize that people before us got us what we have not. I think that’s the problem we face majorly.
I genuinely loved that they didn’t waste any character, each character portrayed a lesson to me.
6. I am going to merge a bunch of statements from the finale
a. I know I am not doing anything wrong but why am I still afraid – Karl
b. I’m gay but I still can’t tell papa, I love Vlad but I am not as brave as him – Karl and Santi replied – Soon
c. I don’t want to be silent about my love, I want to be out there, I deserve it just like you deserve to take your time inside – Vlad.
d. Can we just stay here forever – Karl, I want to take you everywhere – Vlad
I think these statements basically carry the most basic story of the entire series and maybe the most important, everyone deserves to move on their own time and I think that is what made me love Vlad in the end realizing that Karl deserves to move at his pace while he himself didn’t have to give up what he deserved to fit someone else. I know a lot of people were a little disappointed by that ending but I think it was a beautiful ending because it appeared to me that both parties actually loved the other person but they truly were not on the same wavelength in terms of growth, the both realized they both had to make a compromise, not necessarily to the other person but to themselves. Karl listened to Anna to be out there, not ‘OUT’ but we get to appreciate that he is making an effort on his own term to be out there. This symbolizes he is taking baby steps until he’s ready to be out there.
Vlad on the other end also understood her deserved not to be someone’s secret [that is genuinely damaging sometimes, speaking from experience] but the most important thing was that he did not force Karl either, he chose to look out for him and be with him, not necessarily in a relationship but being there gave Karl the right support and strength to push forward and for me, that is what love actually is.

As I said, I love Gaya because it didn’t just give me two handsome guys and a lot of skinship, but everything was so well planned, I don’t know if there was a second of the series that was ‘irrelevant’ to the overall story and experience, everything came full circle [or is it cycle] at its own time, no story was rushed, no action was left unexplained, no scene was accidental or without purpose, which I think goes to show great writing on the side of the script. To be able to masterfully explore your script to its full extent and make sure, every single part was explained, the audience wasn’t left hanging on why a specific character acted a specific way, like Judith trying so hard to be there for Vlad because she was lowkey terrible to him as a child, the fact Vlad hated his hair being touched, honestly, I was just as surprised when they explained that it was because it was the last thing his dad did to him before she permanently left which made him feel like he had failed his purpose of saving a marriage, I WAS KUDOS TO THE WRITER, THIS MIGHT BE THE BEST WRITING POSSIBLE. As I said, no character, scene, or moment was wasted

They perfectly complement each other in the cast and characters, they somehow all just felt like the perfect balance, and the fact they never really left that single Unit/building is another mind-blowing thing, like, minus the car scene with Judith, I don’t think they left the building.

OST
I have never been someone that really cares about OST, I am rarely big on OSTs, they don’t really move me, but Gaya’s OST is the first series asides UMWA, history 3, where your eyes linger and the effect, where the OST perfectly fits every part of the series, it makes you feel their joy, pain, and every emotion... Like even if the series was utter trash, which it isn’t, the OST would carry it for me, like 5 songs from the OST made my top 200 songs of 2020, that’s how good it is. Several times I found myself just sobbing or in tears listening to the OST.
The people in charge of the music department were as brilliant as the actors, directors, producers

This was a series that was made with a purpose and they executed perfectly I am so grateful to everyone who was a part of this movement because you truly took us on a beautiful journey, one I would never forget, you made me care for people, made me happy, made me laugh, cry with someone in their pain if that is not arts at its best I don’t know what is. Thank you for bringing this to the world in a year as dark as 2020

IF YOU ARE READ THIS FAR, I WOULD LIKE TO END WITH THE ENDING QUOTE OF GAYA AGAIN
‘LIBERATING LOVE AND EQUAL RIGHTS, TO EVERYONE OF US, THE REAL FIGHT IS ON THE OUTSIDE. WE WILL WELCOME YOU WHEN YOU ARE READY’.

I HOPE YOU ENJOYED THE REVIEW AS MUCH AS I LOVED WRITING IT
BYE FOR NOW

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Just the best BL you will find out there. Why? Because it's healthy, it's well written, the actors actually has good chemistry and, the most important, it was made for us, the LGBTQ community. It has no stereotype, no "i don't like men, i only like you" bullshit, no internalized homophobia and no commercial soft porn. It's not for straight cis girls to feed their fetish, it's a lovely, romantic story for US, the LGBTQ. We can't say it about a lot of other BLs. People will probably say "oh, but BL it's made from women to women" like they are oh so right. But not this story, no. In here there's zero heteronormativity. There's no dude saying shit like "you will be my wife" or "let me touch your boobs". There's no r*ape being normalized and romanticized. There's no "strong" guy and "weak" guy. The director and his team took every bad trope that exist in the BL industry and threw it in the garbage. He did an amazing job. He said "fuck off" to all that bad stuff and created a good rom-com. He took the enemies to lovers trope and made it HEALTHY (and that was never made right in this industry before)! He took an actor who never played BL before and made him feel comfortable. There's not even one awkward scene between the actors. They being friends (the main couple) it could've go in the completely wrong direction, but it did't. It's comfortable to watch. Their performance is believable and lovely. This series is a breath of fresh air. It took bad BL tropes and made it good. I don't believe nothing will ever surpass it, but this director maybe can surprise us again.

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Unpredictable Plot with Script that Makes You Constantly Think & Analyse (Ending Explained)

I really love this drama as a whole. I love how groundbreaking and interesting it is that each episode seemed like its only 15 to 30 minutes long. I love how unpredictable it is like literally, you cant guess whats coming and I love how it is structured to make you speculate and ask questions. The editing was made to show the future first and later flashback scenes will follow aka Christopher Nolan’s ‘Momento’ kind of storytelling. You know that a story is great when it can evoke you all kind of emotions and this drama is exactly that. It made you care for the characters, only to play you around and makes you wanting for more. And I salute the writer for her ability to engage the viewers like she did in this drama.

Aside from that, I really love the writer’s little clues here and there. She did a looooot of foreshadowing in this drama. It sure raise a lot of questions but you know whats coming with that. I mean, we after all can predict Jeong Hun’s death the moment Jin Woo asked Jeong Hun to join him at Granada (as in the train flashback scene, Jin Woo is alone and not with Jeong Hun). We also know right away that Marco is the one who hunt Se Joo the moment he made his appearance in the drama (as a blue checkered guy is the one who shot Se Joo). We also know as early as in Episode 2 that Jin Woo’s leg will be injured but his limp is cured the moment he’s playing the game. The dynamic of Jin Woo and Hee Joo’s relationship is also foreshadow since in the earlier episode on how she’s sitting in front of Jin Woo in the rain is making him feel protected and safe. Hee Joo didnt kill the enemies like Jeong Hun would (since after all she cant see Hyeong Seok's NPC), but her presence and existence is like a buffer between Jin Woo and the game and that particular scene perfectly show what would her role be in Jin Woo’s life in the future.

Jin Woo has become one of my very fave Kdramas’ lead characters ever. And I have to give credit to Hyun Bin for that. He played Jin Woo in such a depth that you literally feel his pain just by looking in his eyes. I have watched Hyun Bin for the past 15 years and I have to say that this is simply his best role to date (although Hyun Bin's Robin from 'Hyde, Jekyll, Me' is my soulmate :P). Its been a really long time that I’m this emotionally invested in a character and Hyun Bin portrayal of Jin Woo made me feel Jin Woo’s soul. Aside from his outburst in Episode 1, Jin Woo is actually a really nice, humble and level-headed guy. Its evidenced with the way he talk to other people despite their status – he actually use a polite language (instead of Banmal) to everyone even to his low-level workers. And not to mention that despite his trouble with the game, he still treat people with utmost respect and care despite he himself is facing a real life and death situations.

Now regarding the romance part of the drama, I thought it was done very tastefully and slowly -- in a mature kind of way. You could see clearly why Hee Joo falls for Jin Woo. The mixture of Jin Woo kindness (still giving her the full amount of the contract), to him touching her soft spot (playing guitar), to him still taking care of his ex-wife (despite he didnt need to), to him facing real & death situation when he falls at her hostel, to her taking care of him and Jin Woo asking her to stay... And later when she realised the length Jin Woo went through to find Se Joo. All this small details contribute to why she loves him. And as for Jin Woo, its obvious that he falls for Hee Joo's kindness and strength. He was impressed with her ability to feed her family and was also taken back by her kindness (the length she is willing to go to help him either in interpreting to taking care of him when he's sick), to her quirkiness on how she explodes when she's mad. Plus, the most important of all is how her presence made him feels safe -- even when Hyeong Seok NPC is in front of him (during the rain scene). Hee Joo is like a buffer between the game and Jin Woo. He just unintentionally ask her to stay by his side since he is just too scared to be alone. He didnt understand it either but later, he realised that he likes her for her sincerity -- the one he never get from Su Jin or Yu Ra. And he actually smile and laugh when she is around him which he never did the whole 1 year after their last meeting at Granada when the game make him question his sanity. That is why he had the urge to see her before he completed the final mission since she is someone important in his life. IMO, the romance part was dealt with many minor details and mature way thats why I ended up really liking how their relationship grows despite the horrible situation they're in -- its not too much nor too little. When you are deal with real life and death situation, your feelings intensifies which explain their relationship perfectly.

All in all, I give the drama 9.5/10. It is not perfect but it was interesting as hell and full of unpredictable plots. I would love it more if the writer actually explain how the characters die because loss of blood when they were killed in the game but I guess she just lump sum it up as part of the 'fantasy and mysterious’ part of the game when Emma made the reality and game world collide when Marco stabbed Se Joo with real knife. But aside from these minor details, this drama has become one of the most nerve-wrecking Kdramas in my book. Its rare for me to have palpitation when I watch Kdramas but this drama is one of a rare case and it will always be special in my heart because of that. :D

~ SPOILER ~

Explanation on the Ending:

ITS OBVIOUSLY A HAPPY ENDING. WHY?

I know that many people are really dissatisfied with this drama’s ending. I personally thought the writer trying to be creative with her ending but kind of backfired as many people got confuse with the game concepts and thought that the bug cycle was repeating themselves over and over again now that Jin Woo is still stuck in the game.

On the surface, the drama ended with a bittersweet note with a glimmer of hope at the end. However, after a second viewing, I have to admit that it is after all a clear cut happy ending. I realised many small details that the writer gave to us – that it was clear that despite the ending is ambiguous, the writer aimed for a happy end to both of our main leads. First of all, lets clear the confusion regarding the concept of the game world.

1. At first, I thought that Emma, while one of her features is to delete bugs, is a bug itself as she’s the reason why the game world and the reality world collide when Marco stabbed Se Joo with real knife. I mean, if she’s not there, the whole mess of the game become real wouldn’t happen as Se Joo will just bleed after the stab and probably recover after he go to the hospital. Jin Woo wouldn’t be in that mess and the only one suffers is only Se Joo with the stab wounds on his stomach.

2. Marco is Se Joo’s bug thus he do not need to be deleted for Jin Woo to reset the game. Plus, Jin Woo can't see Marco anyway unless he made an alliance with Se Joo. Bear in mind that Se Joo is the one who create this game and he set the rules. Among the rules are those who gave Fatima the Key to Heaven will win the game and become the new Master. And he also put one of Emma’ s features is to delete bugs and once bugs are deleted, the game will reset. And that is exactly what Jin Woo did; level up, get the key, kill the bugs and hand over the key to Emma and Emma reset the game. Now, why Jin Woo is a bug and need to be deleted? It is because he played the game while the game is in error state. Had other testers of the game made a duel and killed their opponents like Jin Woo, they will be in the same position as Jin Woo as well.

3. Jin Woo made sure he killed all of the bugs and also sacrificing himself in the process to end the game’s sinister elements. Since he already do this and reset the game to zero, there are no more evil cycle of one has to sacrifice themselves to save the others. Once Emma reset everything, it is a new game without bugs/errors/glitches. J One lost all the data and build the game back from scratch that is why it took them another 1 year to release the new game as they have to rebuild everything. The good thing about the whole thing is that is game is finally safe to be played unlike Se Joo’s original game which mix game world and the real world. The writer made it clear that the evil part of the game was buried once and for all when Jin Woo sacrificing himself at the end.

4. It was obvious that Yang Ju finally delete Emma from the new game when we hear that he regretted of keeping Emma where Emma in the end reset the whole game and delete all their hard work for the past 1 year. So no Emma, no more error in the game. There is no more Emma so the features of her to delete bugs and reset back the game is no longer there as well.

5. Regarding whether Hee Joo can see Jin Woo or not, she can see him as she is wearing lenses. All game users can see Jin Woo if he made an appearance that is why the guy at the restaurant insisted that Jin Woo is not NPC but an advanced user. But why there's no name for Jin Woo in the new game? It is because Emma has deleted everything including Jin Woo's game name 'Zinu' that is why he is without name. ‘Instance Dungeon’ is to make one become invisible from the enemies and hide themselves. Se Joo did hide himself for 1 year as Marco is there to hunt him so he keep using the instance dungeon feature to remain safe. Jin Woo in the other hand just use the feature to save himself from getting deleted by Emma. So if he didn't use the instant dungeon feature, other game users can see him. The problem is getting him out of the game and I believe that is Se Joo's task to do that.

And now the for ending, the writer purposely tell us about the 'Instance Dungeon’ and how a user can use it to hide themselves. And later at the end, it is shown that Jin Woo after all did use that feature to save himself. But why is he helping in killing low-level NPCs for other game users just days after the game was released? It is not actually a 'Master’ task to do that and he knew the game is now free from bugs and no one is getting killed for real. But he did it anyway. Why? He did that as a call of help to alert everyone that he is after all still alive but somehow still stuck in the game. He clearly let them know that he is still alive by helping the other game users. Now that Hee Joo knew that he is alive and hidden, it is only a matter of time for him to be saved just like how he saved Se Joo the year earlier. So, technically, it is only a matter of time before he can get his happy ending.

I am pretty much disappointed with the ending but upon second viewing, it wasn’t really that bad like I initially felt. The writer for surely aimed for a happy end, it just that, its not in-your-face type of ending like other dramas.

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Love Can Melt Even the Coldest of Hearts

If there is a must-watch Xianxia drama every year, Love Between Fairy and Devil (苍兰诀) undoubtedly earns this honor for 2022. The novel with the same name is written by author Jiu Lu Fei Xiang (九鹭非香), who is a proclaimed writer in China for many of her famous novels, a few of which have been adapted into successful dramas, including The Legends and The Blue Whisper, and a few more on the way. The Chinese title of LBFAD directly translates to “The Legend of Cang and Orchid”, which is exactly what the story is about, a romance between the lofty Moon Tribe leader Dong Fang Qing Cang and a girl with the true form of an orchid flower.

However, don’t fret! Love Between Fairy and Devil is not your usual tropey Chinese fantasy romance. Instead, the introduction of a unique plot and characters is wonderful for veteran Xianxia lovers who have begun to become tired of Xianxias with cold and powerful god male leads and naive and pretty much powerless female leads. The love story between Dong Fang Qing Cang and Xiao Lanhua is pretty much a beautiful forbidden love, as there are over thirty thousand years of hatred between the Moon Tribe and Immortal Tribe, where these two lovers are from, respectively. While other Xianxia male leads are busy “protecting the world” and “ensuring eternal peace”, Dong Fang Qing Cang has set his world on destroying Shui Yun Tian, the home of his enemy tribe, the immortals. An emotionless man, he only knows of hurting and killing.

That is, until he meets Xiao Lanhua, a pure soul who believes that every little life is precious. Unfortunately for the timid little orchid at the beginning, fate ties her to the terrifying Moon Lord. One glare from Dong Fang Qing Cang is enough to make her shiver for hours, but even DFQC wasn’t an exception to her immense love for the world. A few viewers have even mentioned that their romance gave off a Beauty and the Beast vibe at the beginning, and I can totally see it, however, Xiao Lanhua quickly became the only person that could make Dong Fang Qing Cang, smile, laugh, and scream his heart out for her.

Even if she was a mere orchid. And this is the beauty of this forbidden romance, how this emotionless man who killed without hesitating warmed up in front of Xiao Lanhua, showing that human relationships can indeed help heal and recover from painful pasts. True love does not have boundaries, nor does it care about status or nobility.

Before gushing about the talented cast, it is crucial to talk about the production of this drama. As with most dramas, the production of a series can either destroy or bring the story to light. The latter was the case for LBFAD. From the ethereal beads that glistened against Xiao Lanhua’s hair to Dong Fang Qing Cang’s golden branch-like crown, it is clear that everything, from hairstyles to costumes to the sets has been meticulously planned to enhance the entire drama experience. The director of LBFAD, Yi Zheng, once mentioned that preparation before filming took more than 4 years, the reason for the gorgeous production quality. Costumes embodied every character’s personality, from the hyper Jie Li with a dark past to Xiao Lanhua’s pastel translucent dresses. The interior of Dong Fang Qing Cang’s Moon Palace is also very appealing to the eyes, including a bit of western influence, as apparent in his grand canopy bed and busy inner courtyard. Although a Chinese drama, the Moon tribe sets surprisingly gave off a rather early European vibe.

Character and location names were added to the side, and were immensely helpful to both new and veteran Xianxia watchers, as we all know, a large majority of Chinese costume dramas tend to have countless characters, and it takes quite a few episodes to remember who is who. That being said, the different locations in the drama each have different feelings for their unique appearances. Shui Yun Tian is home to these supposedly “good” immortals, the vastness of the palaces and hall bereft of friends and family, while the small villages filled with Moon Tribe women are filled with love and care as they grieve for their dead husbands, brothers, and sons.

When I first learned of the cast of Love Between Fairy and Devil, I admit, with full guilt now, that I scoffed at the lead pairing. But please, please do not give up the thought of watching this drama because of Yu Shuxin (Esther) and Wang Hedi. In fact, I believe that Director Yi made one of the best decisions by casting these two talented actors. If you, like me, have watched a few of YSX and WHD’s previous dramas, you will be blown away by how much their acting has improved. Not only have they perfectly embraced Dong Fang Qing Cang and Xiao Lanhua, but they have also truly brought them to life. When they smile and laugh, we follow along. When they cry, bawling their tears out, the audience can’t help but do the same.

Here’s an important heads up: If you’ve watched Yu Shuxin’s Moonlight, you have already gotten a sense of her voice, which she dubs herself. I myself do not find her voice annoying, however, many have expressed their opinions when it comes to her rather high-pitched voice, which is not very appealing to some. Xiao Lanhua’s high voice does not indicate a naive little girl, or what we would call a ‘Sha bai tian’ (傻白甜) in China, but rather shows her character growth in the series, which will become more apparent in further episodes. Yu Shuxin started as a very talented singer, and she was blessed with the talent of being able to change notes and pitches flawlessly. Xiao Lanhua’s higher voice at the beginning is an indication of her carefreeness as an unimportant orchid as she travels on this journey.

The personality contrast between the leads is interesting, but what’s more special about this pairing is how different they are from what one could call your ‘usual’ Xianxia pairing. It’s about time we got a badass evil sexy male lead who was trying to destroy the Three Realms. No more wonderful Three Realms saver! The female lead doesn’t need saving every time, either. Although she is much weaker than Dong Fang Qing Cang, Xiao Lanhua’s broad understanding of love has taken her a long way. As she’s said before, “I love all beings, but I also love one person.”

Perhaps the most astonishing aspect of LBFAD, however, is how much the leads’ have improved with their acting. Wang Hedi and Yu Shuxin were absolutely BOMB in a way that no one saw coming. When DFCQ and XLH swapped bodies, it was still clear as ever who was who. Wang Hedi immediately embodied Xiao Lanhua’s bubbly but panicked appearance, while Yu Shuxin became a stone-faced character in a pastel-costumed girl. Furthermore, as the story advanced and the leads experience more together, their acting drops mouths as our leads smile and laugh, and eventually, cry and scream. It is simply astonishing how much Dylan Wang and Esther Yu have improved that it’s pretty much hard to describe in words. And their chemistry? Hands down a flammable perfect. I’m sure all of us who have watched the entire drama would agree that it wouldn’t be fair for them to not win a prestigious acting award for their roles in LBFAD. This drama is truly their drama breakthrough, winning them millions of followers on social media platforms, not just in China, but all around the world.

It was also nice to see the spotlight on supporting characters in a balanced way. They weren’t given too much screen time nor were they not given enough. All the stories of the more relevant supporting characters were addressed in very well-rounded ways. No matter good or evil, each character showed significant growth, prompting the audience to cheer them on. This is another beauty of the series, how each figure was given a bit of screen time with an understandable and apparent growth in their experiences and personalities. Even the so-called ‘villains’ had their own backstories and reasons. (cough cough, besides Yun Zhong Jun, aka Lord in the Clouds) I myself have a selection of favorite supporting characters, from the ‘stupid’ black dragon Shang Que to even the villainous Rong Hao. Li Yitong even acted as Xiao Lanhua’s master, Si Ming. Although she was invited as a guest role, she has had an immense impact on this drama.

Finally, this review would not at all be complete without a description of this amazing OST. It’s been a long time since a Chinese drama has had such a well-rounded soundtrack. By well-rounded, I imply songs with smaller stories woven in, with a multitude of well-known talented singers. Zhou Shen, Liu Yuning, Faye Chan, twins Jing Long and Jing Di, Shuang Sheng, basically any famous Cdrama singer you can think of. Do you want a song of longing? You got it. A song of the happy romance between the leads? Here you are, sung by our wonderful leads. Each melody was beautifully written and sung, and you probably won’t find a better 2022 Cdrama OST than this one:

1. Finding You (寻一个你) - Liu Yu Ning
2. Remaining Feelings (余情) - Zhou Shen
3. Cutting Off Love (诀爱) - Faye Chan
4. Shore (彼岸) - Jing Long & Jing Di
5. Longing (念) - Shuang Sheng
6. Amnesia (失忆) - Yu Shu Xin
7. Cang-Lan’s Oath (苍兰契) - Li Chang Chao
8. I Still Remember That Day - Shen Yi Cheng
(我还记得那天)
9. I Want To Be With You - Yu Shuxin, Wang Hedi
(想和你)

All in all, if you’re tired of the cliche Xianxias that have been aired over the past few years, you’re in the perfect place. The drama is also ‘only’ 36 episodes, which is quite short for a well-produced Xianxia romance (which tend to be 50-70 episodes long), but is so well-rounded in all aspects that you will be longing for more when you finish the last episode. The romance between Dong Fang Qing Cang and Xiao Lanhua is so pure, yet so beautiful. With a nice little ending, you will certainly fall in love with LBFAD.

“My Xiao Lanhua, there is no reasoning to love. No matter good or evil, immortal or mortal, if you love him, you love him.”

-Si Ming

Update: Btw, check out my article with Cho na about LBFAD!
https://mydramalist.com/article/how-to-make-a-romantic-xianxia-love-between-fairy-and-devil

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intense, heartbreaking, beautiful

Overall: this series had me on the edge of my seat every single episode. Never have I been so invested in characters discussing lines. It's in a league of its own. Watched on Gagaoolala.

Content Warnings: homophobia, grief about past death, alcoholism, past bullying discussed, age gap (this does not bother me in this instance)

What I Liked
- acting, you could cut tension with a knife at times
- metaphors (bridges, lines, etc)
- layers upon layers with figuring out what all happened, we actually did not learn exactly what all happened in the past and I'm okay with that
- Wang calling his mom out about her way of addressing her friend in episode 1, overall I loved Wang's character and how he was not afraid to be himself or fight for what he thought was right
- cinematography and overall production value

Room For Improvement
- how are there only 2 bedrooms and 2 bathrooms in that huge house?
- the OST was beautiful but it was really the only song played the same way over and over again
- should have removed the commercial breaks
- the blurring of the alcohol (this was likely done for Thai TV but wish they had unblurred it on gagaoolala)

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I am speechless. I can't even express how I feel. This whole movie was a mind game, and I thoroughly enjoyed it. So many events, so many lives, but one purpose. I wish to write something as dark and meaningful like this someday.

I doubted that I would like this movie at first. The dialogue in the first scene was long. But I came to understand it was important. I don't regret the stubbornness I had to sit through that particular scene. Then came the confessions. Just...wow! What a brilliant scheme! This was a really clever one.

The music was very good and it achieved the desired effect. Even added an artistic tinge.

The characters were very well portrayed. I even sympathized with the worst of them (psycho kid). Had a conflicting sense of hating the things he did and feeling sorry for his situation.

I hold great admiration to the writer of this movie. Thank you, this actually had everything I ever wanted to see in a movie. It leaves a deep impression that I won't be able to shake off anytime soon.

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Rare case of love triangle done right

Under the cliché high school romance full of tropes, there is a hidden depth. Don’t expect this show to change your life, but it might leave you with some thoughts to think about.

It’s a short story of finding yourself, standing up for your beliefs, improving and changing your environment. At first all the characters might seem stereotypical, but there is more to them.

Tae Kyung is not your typical introverted shy boy. While he might not be the life of the party, he is confident and honest, never scared of voicing his opinion to the people he cares about.

Shin Woo seems like a cold, distant lead? Could not be further from the truth. He is a shy, sweet and loving potato that needs some time to open up to other people. He values his friends, trying to stay honorable while not giving up on what he desires and loves.

Da On might seem too good to be true, but he is battling his own demons. The external and internal pressure to be a perfect student, friend, son took a toll on him, and we witness his slow change, as he discovers who he truly is.

Shi Woon is not just a comedic relief that is supposed to brighten up the mood. He is the most caring and emotionally mature of all the characters, always giving wise advice and making sure everyone is taken care of.

While the drama follows all the well known tropes, by changing some details, and giving the character more nuance, it becomes more interesting and engaging. The love triangle? Chef’s kiss. The way the story unfolds, you cannot stop yourself from understanding both main ships, since they both work and have their charming aspects.

The acting could be improved. I know many people say Tae Kyung is just that awkward character, hence the acting is fitting - for me it’s just not good. While I ended up liking the awkwardness behind Sae On’s line delivery (it was cute), I do think he needs to train his acting skills quite a bit. The rest of the cast did rather well. Some more emotional scenes from Seo Hyun seemed a bit empty, but So Hee’s character was not worth even caring about, so I let it pass.

Light On Me is an amazing step forward for Korean BLs. The audience wants a longer format, the audience wants better production quality and the audience will appreciate the hard work. This show proves it. While I don’t think it’s the best K-BL, I completely understand the sentiment of people who do believe so. With more and longer episodes, the main leads were fleshed out more, the story had a steady pace and the supporting characters were more than just extras filling the space.

I also have to appreciate the job done behind the scenes - the cast supporting the genre in the interviews. The whole production team seemed to do it for more than just money, there is a true important message they are trying to convey. Even the OST singers A.C.E showed support for the community on countless occasions. On the OST - opening song is such a bop.

Some complaints though. While I understand the purpose of So Hee’s character, I also believe the show could have done without her being the antagonist. The same result could have been achieved without making the only female character the "villain". Her character progression was also not quite believable.

Another small, but extremely distracting aspect was the makeup. Damn. What they’ve done to Sae On’s pretty face should land them in jail. It was extremely unnatural, which added to the robotic vibe Tae Kyung gave because of the, at times questionable line delivery. They literally looked like plastic dolls, with white faces not quite fitting the tone of the neck.

The last thing worth mentioning - the first episode does not represent the drama well. It was not the best introduction to the story and the characters, but I promise it gets better with each episode.

Overall, such a fun and enjoyable ride. It truly brought a lot of people on mdl together to discuss the characters and relationships. Getting so many people so attached and engaged speaks volumes about the show itself.

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