Whatever cautionary tale it tries to present, you cannot focus on that aspect - you keep getting distracted with how dumb the characters are. Not to mention, the lack of realism completely ruined the poor attempt of “social commentary”.

Female lead was dumb, the police were dumb, the friend was dumb, even the villain was dumb - don’t let people fool you into thinking it’s some tight cat and mouse chase with a brilliant killer who outsmarts everyone. It’s not hard to outsmart idiots. It does not make him a genius.

What’s good? Acting and editing, some directing choices. I liked the shots presenting the world from the eyes of the phone user, and then from the angle of the camera. We never really think about how much our phones see, as we assume the camera is off. So it’s creepy to see how much one could spy on us, if they had the access to the camera itself. Overall, there were many pretty shots, they knew how to make it visually interesting.

As a side note about the “social commentary” - I am so tired of this “phones are dangerous, be careful how you use them” topics. How about showing what the true issue is: lack of laws and procedures when the cyber crime happens, lack of police involvement when the crime is being reported, worst case - ignoring the reported crime because “nothing can be done”. Criticizing the government and police for the lack of protection of the citizens should be the focus, not “people use phones in irresponsible ways and depend on them too much”.

Overall, what a waste of time, even for Im Si Wan fans.

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Refreshing concept with basic execution.

Honestly speaking, I don’t even have much to say. I’m not the biggest fan of the reincarnation trope, but it is something new in the BL genre, hence I gave it a try.

As I said, the idea behind it is fun - not only do we see the reincarnation trope, but also a new twist to it - female to male reincarnation. How many interesting ideas for plots and conflicts we could get out of it! Do we get them here? Not really, and the few we get are barely developed.

Yeon Seok was quite a fun character in a constant mode of panic for various reasons. I did enjoy Jin Gun’s performance, even though sometimes it became a bit too comedic for me. On the other hand Jeong Ha Yeon as a character just did not catch my attention at all. Jeon Chang Ha acting in some more emotional scenes requires improvement, but overall, I was not mad about his delivery.

Overall, I don’t regret watching it, but I could do without it too. It does not really bring much to the table.

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“I couldn’t properly embrace myself once, in my entire life. So I suffered.”

This review is extremely subjective. I won’t even try to pretend there is anything objective in it. Knowing there will be some kind of plot twist ruined the show for me. Before it happened, I was feeling a lot of frustration and impatience to know what it is, but since I predicted it early on, I just felt disappointed when it was revealed.

Here’s the thing, while the show has some amazing moments, life lessons concerning treasuring your life, every little moment, appreciating people around you etc, I truly did not like the majority of the characters. The last episode sucked all the sympathy I might have had for Kim Hye Ja with just two or three scenes. That’s an achievement.

I do believe the show was unnecessarily depressing and sad. After 10 episodes of misfortunes that were multiplied in the last two episodes, the closing narration just completely missed the mark for me. It was like putting a plaster on a plane crash victim.

Talking about the twists - if you start the drama knowing there will be one, there is a high chance you will predict it. For me, the expectations of some unexpected, well built twists made me disappointed when in reality it was the most obvious scenario that could have happened. Because of that, the last episodes just had little emotional impact on me - the disappointment was too strong for other emotions to surface.

The acting was truly amazing. I was especially amazed by Ahn Nae Sang, Lee Jung Eun, and surprisingly Nam Joo Hyuk's performance. While Ahn Nae Sang and Lee Jung Eun aced the more subtle emotions, Joo Hyuk truly delivered with the strongly emotionally charged ones.

Overall, I don’t regret watching it. As I said, it had great messages and moments, many memorable lines and conversations. Yet, the primary emotion I will associate with it till the end will be disappointment.

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Sadly, season 2 was far less consistent in terms of quality of the episodes. Some were great, some were rather boring.

Here’s the thing - the cast is amazing, brilliant, funny, and has perfect chemistry with each other, but the concept of the episodes lack creativity and clever directing/planning. How many times can we watch an episode about food and restaurants? What is this, mukbang? All the episodes that focused on anything other than food were, just based on that aspect, better.

Many times the production team focused so much on making the fake place “bigger and better and more shocking” they forgot to actually make it “work”. This is not Pimp My Ride Restaurant Edition. They should focus less on the place/building, and work harder on the writing of the story behind the place and the people working there. Simpler ideas would be so much harder to guess.

One more thing that started to annoy me as the show progressed was the love line joke between Jessi and Sang Yeob. Yes, at first I found it hilarious, but at some point I felt like it went too far? I started to truly just feel uncomfortable with it.

That said, it was still overall extremely entertaining, all thanks to the cast. Nara was the awesome older sister trying to fight against her bad luck, So Min made me cry while laughing because of her unusual jokes and out of the box behavior. Jessi was the queen she usually is, with a straightforward attitude and Mi Joo was the pure chaotic energy and the master of body gags. And then there are Jae Suk and Sang Yeo trying to run the show and survive.

If you liked season one because of the cast, you will still love this season. Even with some flaws, I still believe it’s funnier and better than the majority of the variety shows I have seen.

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Why am I watching this? Why am I doing this to myself? - these questions I asked myself after finishing each episode. And yet, I could not stop myself from clicking on the next one. There is something strangely addicting about this rather poorly written and acted story that makes it impossible to drop once you start.

It’s been a while since I have seen a story as predictable as this, that still managed to surprise me with some ridiculous plot lines and reasoning behind the characters' action. We get to know rather stereotypical student Sky, brainwashed Sun with some serious issue of Stockholm Syndrome, Bank - a cute puppy and Pitch, the only redeeming quality of this drama. We follow their love stories, where every conflict (and I truly mean each and every one) is based on the complete lack of communication and honestly, while at the same time, the characters complain the other party is not honest and does not communicate their feelings ¯\_(ツ)_/¯.

In the background, serving as a thrilling angst addiction, we have mafia schemes that led to our main boys being beaten up here and there, almost losing their lives too many times for me to care by the end.

For a romance driven show, the chemistry between Sky and Sun was not as golden as their blood apparently was. At the same time, I found it refreshing that there were more emotions and sparkles in the scene where they stood one meter apart, compared to all the kissing scenes.

On the other hand, Bank and Pitch were rather a nice surprise. The unsureness of their feelings and slow development of their relationship felt more grounded and reasonable. The playful chemistry of them bickering while smiles did not leave their faces was just bliss to watch.

The best acting for sure was served by Sugus - that smile alone could kill. Sadly, Gun’s performance was mediocre at best. Unintentional comedy bits that were the crying with no tears scenes truly made the watching experience that much more fun, but for all the wrong reasons. I could see how hard he tried to squeeze these tears, and I truly felt bad for him for failing each time.

Overall… I have no idea why I watched it, but I for sure do not regret it. It’s one of the cases of mindless entertainment, when you just accept nothing makes sense and the quality of the whole show is questionable at best, and yet you keep watching.

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The Grotesque Mansion is a short movie consisting of five chapters, with the final one serving as a narration throughout the whole film. None of the stories are well explained or concluded, making them seem like scary stories we tell each other at night when we are kids - it’s not about the well constructed plot, but the atmosphere.

The thing that I loved about the directing was how all the cases were linked together - each chapter had a scene we already saw in a previous story, but from a different perspective.

Chapter 1 - Room 504 - The Writer
One of the weakest plots of all the 5 chapters. While the small details in the background added to the eerie atmosphere, overall I was not impressed. The story was not scary at all, but I have to appreciate the acting from Lee Chang Hoon, who played a driven writer on the edge, because his writing has not been going too smoothly lately. I could feel his frustration.

Chapter 2 - Room 907 - The Pharmacist
The best of all the chapters. From the interesting story, to the creepy visuals - I was sold. The setup for the plot reminded me a little bit of P.T., with the radio station giving news about the murder. The loop of the characters’ actions and the corridor shots that made it seem as if I am there observing the situation, made this my favorite part of the movie.

Chapter 3 - Room 708 - The Salesman
Annabelle, but creepier. Except for the "companion" making me uncomfortable, there is not much to say about this chapter. The pictures created for some scenes were nice, but overall it was more entertaining than scary.

Chapter 4 - Room 604 - The Student
Trigger warning for gross body horror. Pimples and a lot of weird stuff happening to the face of one of the characters. Rather nauseating. That said, the body horror was quite well made - no complaints on my part about the effects and makeup. The story is rather simple, and focuses more on the visual aspect of it.

Final chapter - Room 1504 - The Caretaker
Had one of the scariest scenes from the whole movie - the elevator moment got me on the edge of my seat. The Caretaker concludes the story is a coherent way that makes sense, while leaving a door open for a possible sequel.

Overall, The Grotesque Mansion is just a simple and easy watch. Good for an evening when you might be a bit tired and you want to be entertained, but without forcing your brain to do any work.

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I have strong, conflicted emotions right now, after finishing it. On one hand, it was such a beautiful and well done movie, I don’t think it could have been improved in any way. On the other hand, I cannot stop thinking about the potential this story had to be a drama.

The writing got me on a few plot twists that I didn't see coming. Some bigger, some smaller, but all executed quite well. With a limited screen time, they did a good job at giving enough exposition to ground you in the story, but not waste time on unnecessary details. The characters were interesting, and surprisingly I got attached to them quite fast. The chemistry and the switching dynamics and testing each other between Po Xiao and Feng Ren was perfect and by the end of the movie, I craved for me.

It’s definitely worth talking about the visual aspect of Wuliang - it was an aesthetic feast. Even if the plot was not as interesting, I would still finish the movie without skipping a second just to appreciate the beauty of it. The background music perfectly enhanced the atmosphere the visuals created.

The acting was also amazing. I felt everything the characters felt. Well, sometimes I went on more of an anger ride, when they felt sad, but that’s given. The emotional delivery was quite detailed. Nothing to complain about.

Overall, I highly recommend watching. It’s an old tale of “with great power comes great responsibility”, but it focuses more on the characters, building trust and understanding each other's motives, while trying to survive.

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Directing and writing chaos.

I truly have no idea what was the vision and direction for this show. What was the main conflict? What was the plot? What was the genre? It was everything and nothing.

Starting from the plot, I think Fighting Mr. 2nd does a huge disservice to season one - the cute, fun and a little bit dramatic story. Here we get full on makjang for the first episodes, that turns into corporation politics, and then into big old nothing.

None of the conflicts make much sense. Shi De agreeing to cut contact with the love of his life, because the dad said so was unbelievably stupid. Shu Yi trying to get his revenge at first made him one of the most toxic (for everyone around him) and unstable characters ever (at least that made sense, it was destructive but fitting). Then we have the "blond lady" misunderstanding and no true chat about it between the main characters. Not to mention the stolen files in the firm, which brought exactly nothing to the story - just stole the precious screen time that could have been used in a better way.

Zhen Xuan and Shou Yi romance could have been an amazing story, but it was simply impossible to do it justice as a side couple in a 3 hour story. Both characters were too complex and had serious underlying issues that should have been addressed in a more detailed manner. I am quite confused why they said Shou Yi has affective disorder though, since the ones that go into that category are stuff like depression, bipolar and manic disorder - mood disorders, so his lack of apparent empathy and incapability to form relationships with others was not quite fitting the label he was given.

Then we have the messy directing. What exactly was the plan? Was the dad supposed to be a scary controlling figure or a laughable, but a slightly obsessive comedic addition? Was the main romance supposed to be realistic struggles of the couple or over the top dramatic melo? I'm not saying you can't have comedy in the serious shows, or deeper topics in a lighter story - the tone needs to fit though. Here, it was a mess.

At the end we get to the problematic aspect of drinking on the set. For some it might not be a problem, for me it is. I see no excuse for drinking on the set. It puts the actor, co-actors and the whole production in danger. You don't just get your actor drunk for the sake of realism.

The only redeeming quality of the show was the acting and the music, and more specifically Unbreakable Love, which isn't even the original song made for the show.

Overall, season one was a good BL with nice characters and good pacing. This was just... a mess.

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This drama is like a baby taking its first steps…

a bit wobbly and can hardly be called walking, but it’s such a big achievement it’s worth celebrating.

A straightforward criticism of the capitalistic world and social structures that exclude everyone not willing to act according to unfair rules. While some scenes might have felt preachy, the message was loud and clear, and sometimes this is exactly what is needed. You could feel the passion of youth in this project.

What the drama does phenomenally is making you care for this bunch of young people. Realistically speaking they should have been either dead or arrested by episode 4 at best, but against all logic, you just want to see them succeed and get out of it alive.

The acting! GMM truly decided to cast their best in this one. We all know Gun and Off have natural chemistry, but it was great to see them shine next to each other as individual characters, rather than just a couple. First was so good, at times I felt like he was too good for this script, or too good for this small part of Thai entertainment industry.

Production wise I loved quite a few shots. The use of different sources of light made some scenes extremely beautiful. Shots of two Guns were well edited - yes, if you know the actor well, you can see how the double used for some scene is different, but one has to be really nitpicky to make it an actual flaw.

All that said, the whole show was so serious and unserious at the same time, I’m not sure how I’m supposed to feel about it. Motivated to make a change and tackle social issues? Rolling on the floor laughing about poorly executed fighting scenes? How unrealistic the production was took away from how realistic and serious the issues they tried to present. How am I supposed to see baby faced Gun take down a few professionally trained highly specialized security guards of the millionaire villain? Him boxing once a week with his teen buddies must have been enough for training I guess.

Not to mention the frequent PPLs. I know the drama needs founding, but taking into consideration the anti-capitalistic themes in the show, it just stood out in a painfully negative way.

Then we have the flying parkour, Sing being completely miscast, the lack of closure - no, this is not how you are supposed to do an open ending or any ending. The power imbalance between the good and the bad guys that I was supposed to just accept as realistic, when it made little to no sense…

Overall, it’s hard not to like it. It gives all the right messages, delivers great entertainment, a variety of characters and point of views. Leaves enough space for the viewers to make their own mind. The acting was amazing, visually it was pleasant to the eye. It just did not feel polished enough - the passion should have been used a little bit for the good old planning, practice and production. Maybe some script rewrites here and there too.

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All overshadowed by Kunou Totono.

I have adored Kunou Totono since episode one. I was highly impressed with the way he was able to think outside of his own mental box and see situations from another perspective. Not getting completely clouded and sidetracked by our own experiences and feelings is a rare ability most people do not possess and it’s not as highly valued in society as we might think. It’s great when you can understand your family, friends, neighbors, but what if we also can understand the logic and reasoning of a murderer? Arsonist? Kidnapper? That’s when people start to give you weird looks. With that, I truly appreciate how the drama made sure Kunou Totono’s ability was an asset people valued, not a weird characteristic that made people avoid him.

The character had almost amazon comedic timing. The number of times I laughed at his unexpected reactions and lines, completely flipping any given situation upside down.

On the side note, the drama has an “eccentric male lead” tag, but for me Kunou Totono was autistic. On one hand I wish the show was clear about it, on the other hand I know how giving specific labels brings a lot of criticism concerning the portrayal of autism.

The performances were great. As the title of the review says, Kunou Totono stole the show and Suda Masaki’s acting had a lot to do with that. To make a character so unique and yet so relatable is a skill. His character never felt empty and it was clear that even though he might have not shown a lot of emotions, he was feeling deeply - all thanks to the subtle changes in the facial expressions. My favorite bits though? His “surprised pikachu” face.

While the cases were fun to watch, they were not exactly that complex or unpredictable. The writing was not vague about the clue - you’ll see what’s coming before they actually show it on screen. Similarly, the special commentary was both interesting and disappointing. The abuse was a subject that kept coming back, but I never felt like they went deep enough into it to make it more meaningful.
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If I had to state what the biggest flaw of the show was for me, I’d have to say: the satisfying ending. It’s not a “I wish the second season happens, I want more”, but rather a “Second season needs to happen, I need more answers”.

I also found the commentary about women in the working environment (in this case police) rather confusing. What exactly did they try to tell me? With how on the nose many “messages” were, the lack of clearness in this bothers me quite a lot. I didn’t really like Furomitsu Seiko as a character either, and I feel like the writer struggled a bit with finding her a fitting place among other characters.

Overall, extremely enjoyable, with interesting directing and editing and a lead that is impossible not to love.

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We are shaped by our circumstances.

Preventing abuse is not a matter of personal choice, it’s a collective effort put into shaping the society so we won’t become numb to other people’s pain and ignore cries for help. Getting out of a toxic environment is only the first step, getting help and support to deal with the trauma is just as important. Without it, we will most likely than not continue the cycle of abuse, becoming perpetrators ourselves.

This perspective is clearly visible in the drama. The characters that, after facing traumatic events, were embraced by supportive people, felt a sense of emotional security and grew in a caring environment did not grow up to be abusers themselves. The less fortunate ones could not break the cycle, never learned how to cope with their piling issues, all they knew was how to project their problems onto others - in this case, children.

If you truly sit down and think about what was presented, you will feel uncomfortable. It’s hard to both feel bad for the villains for their past hardships, regret for them not getting the help, while also seeing them for what they now are - abusers. It’s extremely hard to comprehend the idea that a person can be both a victim and the perpetrator at the same time. It’s hard to root for rehabilitation of the offenders, when children suffer. The constant question: do we want revenge or justice? What does justice mean? What’s the goal of the punishment? What should be the goal of any action? The drama does a great job at making me think about these questions and what my answers would be.

Another aspect worth mentioning is the exploration of the role of mothers. The variety of different perspectives was beautiful to watch. The struggles, pain, but also the happiness and fulfillment one can feel when they are a mother. The fact that just because you gave birth to a child does not mean you can call yourself a mother.

Sadly, there were also aspects of the show I did not like. For example, for a show so well written, it’s a crime to have such a stock character serving the purpose of plot device and savior only - Jeong Jin Hong. He did nothing and presented nothing except for helping FL when the plot needed that.

Another aspect I didn't not quite like - the lack of presenting the society and media’s reaction to the kidnapping case. The show had a strong message about social awareness, but they did not really do much to show different social takes and perspectives on the issue. The middle part of the drama could have been a bit shorter, so the trial would last more than half an episode. That’s when you present the ideas and debate worthy takes on the issue.

On the bright side, the performances were amazing. Lee Bo Young obviously delivered a heartbreaking and touching portrayal of Kang Soo Jin, but we all know the true star was Heo Yool. Extremely hard role for a young actress, yet she carried it with amazing skills.

Overall, a beautiful and touching show presenting heavy topics. It was not easy to digest everything presented, there were moments that made me angry, sad, uncomfortable - but it’s the charm of this title - it evokes raw emotions and makes you reflect on presented questions.

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Fairly entertaining, insanely ridiculous.

Did I have fun? Kind of. Did it take me 4 hours to finish it? Yes. Did I feel bad about being bored while watching all the kids dying? No. And that all kind of sums up all the problems I had with the movie.

Personally, I’m the person who needs some kind of explanation for the events happening, otherwise I cannot connect to what I see on the screen and I get bored. And we got exactly zero explanations in Battle Royale. What was the goal of the law? What was supposed to be the positive effect it has? What was the motivation make it happen? We don’t know and I honestly cannot think of a truly logical one myself that would make sense in any universe. So the movie ends up with being just… kids killing themselves and each other. And that’s kind of boring.

That said, there were two aspects I did enjoy:

My favorite part of the movie was for sure everyone taking their sweet time dying after being shot 4868374587439 times. They do need to give their final monologues after all.

Jokes aside, one thing I truly liked is how the kids are accused of basically the collapse of moral standards and crumbling society, but as the movie progresses, we see many flashbacks of all the adults who failed the same kids that are blamed now. Great way to showcase how youth is often blamed the negative consequences of adults’ actions and decisions - still relevant 23 years after the movie was made. It’s not the kids that ruined the society, it’s the society that failed the kids.

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Like a pack of dry cookies that are strangely addicting, even though they taste like nothing.

I know it’s a drama loved by many, but I’m sadly not in that camp. I still enjoyed it quite a lot, it just never truly moved me that much, and I think that was supposed to be the biggest selling point - how touching it is.

I think the biggest reason I did not fall in love with the drama itself is the fact I never fell in love with two main characters - Choi Woong and Gook Yeon Soo. I was indifferent about them as individuals and completely not interested in them as a pair. Something about how they were written did not click with me.

On the other hand, I adored so many supporting characters with Kim Ji Woong being easily my favorite. Both episodes focused on his point of view were in my perspective the most interesting and engaging. I know for a fact I liked him so much because I related to him in many areas, but that’s the strength of the drama - they present many unique, but realistic characters, I’m sure everyone would find one to relate to.

I’m quite sad how little they showed of NJ. There was not one scene of hers that was boring, some were quite meaningful. I appreciate how they never made her a typical toxic second female lead - her perspective on the whole situation was refreshing.

While I understand the drama portrays a lot of important life lessons that young people face - from teens to late twenties, I weirdly never connected to this presentation. Sure, there were some scenes that were memorable, but overall I don’t think I’m going to remember much after a few months.

Performances? Phenomenal from the whole cast. Exactly zero complaints. The emotional scenes were done well, the comedic bits were truly funny, not one character was miscast.

Overall, while my brain understands why many people loved this show, my heart does not follow.

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On one hand it was so much better than the actual show - we’ve seen more natural interactions between the couples that were not highly edited. We were also able to see how the contestants themselves react to some of the scenes from the show (probably my favorite aspect of After Signal).

On the other hand it felt like the panelists were not quite treating the participants as real people. It’s one thing to “ship” them when watching the show and seeing specific interactions that were edited to look romantic, it’s a completely different story to ship these people in their face and keep saying how they see “signals” between them. I feel like After Signal took one step too far into the private lives of these people.

Still, I did enjoy it a lot. I feel like this showed some new sides of the couples - it makes it so much easier to understand why these people picked each other, but it also proves how shitty editing and directing of Heart Signal 4 was…

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When lack of communication skills is your whole personality.

This is not a sweet rom-com. This is a frustrating journey that will test your patient, and I have no idea why I enjoyed it.

It’s a story of two people who love jumping to conclusions and never verbalizing their feelings and issues. Female lead was slightly less frustrating than male lead - she was at least aware of her own feelings, which cannot be said about the other half of this infuriating couple.

All these miscommunications were blast to watch though. Why? Thanks to all the supporting characters, who had some of the best and most reasonable reactions to all the childish shenanigans going on. I appreciate how it was established that it’s not the writing that is stupid, it’s the main duo only, and it’s done on purpose. I can go on board with it.

Female lead had little self-esteem, male lead had no self-awareness, I had no business using my brain watching it. Love triangle of poor character traits - best relationship between the drama and the viewer.

The performances were great. Seino Nana somehow made Akiha a character worth rooting for and Sakaguchi Kentaro was able to calm my distress caused by Shu’s character with his cuteness. I also love Kursahina Kana and her portrayal of Miharu - probably one of my favorite characters in the whole show.

Production wise - this is your typical rom-com. Nothing bad, nothing good. Standard quality, nothing to complain about. Bless them for having the cat though, he was amazing.

Overall, this was entertaining for all the wrong reasons.

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