Decent tear-jerker

It's pretty clear what you are getting yourself into and it delivers just that to a certain extent. I personally found it unnecessarily long. Which is why it took a more melodrama route than a familial/drama route. Which is also why it took some time to get to the point. It does nothing new, however, it remains a decent tear-jerker. That final scene on the motorcycle was a nice touch.

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Passable...

Couldn't feel much chemistry between any of the trio. There was a lot of roaming around. I would prefer a little bit of more structure. The romance was its weakest part, forced and way too delayed. Maybe if they removed it and took it in a different direction would be better? It's still a passable watch.

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Hmmm...

The drama is definitely unique. The director went all out with his own style. Not necessarily objectively good nor bad just different. I personally enjoyed what it tried to do. The quirky direction is the drama's biggest highlight. There were no eavesdrop where characters happen to stumble upon a secret, instead there are very long extended cut open dialogue scenes with no interruption which makes all the difference to see the characters actually talk. Some episodes may consist of only two scenes for this exact reason. The drama doesn't shy away from throwing experimental scenes that are completely unrelated to the story for fun. Although some scenes are just too bizarre like that one scene where an old lady reminiscing a young guy's body after the funeral. These scenes will probably make most of the characters seem insensitive. Then there's ep79 coming out of nowhere completely unexpected! The characters sometime step outside the boundaries of their character and do something unlike their character. This also resulted in inconsistency and showed the characters in a bad light. At least the drama doesn't attempt to "fix" the character, sometimes it's okay to remain broken. I ended up enjoying the drama for all the wrong reasons and that's cool. I liked Ha Na as the antihero, she did great and it might be her best work so far.

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Ew....

Well, the poster is completely misleading this is a full fledged makjang from the first frame to the last. Mo Ah & Nam Goo are one of the worst pairings in daily makjang. It's strange when the support cast get better pairings. You got also the usual idiotic forgiveness accompanied by a lackluster ending so don't expect anything at all. Anyway, the verdict is... it's bad. It's a certified stinker.

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Okay but lacks a lot....

Well, the drama is a little bit different but ends up following the same footsteps of its melodrama predecessors, mainly after the 1st half. The drama is definitely one of the tamer ones, the writer just doesn't let things get too far even when things have all the right to be fully escalated. This is why the envelop of forgiveness was aggressively pushed beyond its limits. This is also why the drama had a very very long 12 episodes epilogue just to stress on that one single point. This is also why you may see the influx of positive comments. This is also why feelings in general became disingenuous at the end.

Both main leads had a weak performance and even a weaker written character especially the female lead. The actress is just too stiff, the only scenes she showed some expressions was the ones with the baby while the remainder mostly poker face. Her poorly written character suffered greatly due to its saint-like personality. You know how these kind of personalities go in dramas. Anyway, the 1st half was promising but it didn't live up to my expectations.

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MY EARS!!

Things were kinda fine until the events started to loop endlessly in a corporate setting. This is exactly how most of these daily dramas die and wither away. This drama is manufactured specifically to trigger the viewers by having constant intense shouting with every other sentence, boosted OST playing every 2 seconds to accompany the shouting, unbearable archetypes like the intense hatred and favoritism of the stepmother for one daughters over the other, and the stupid amnesia. The male lead character became absolutely dull after he had the accident, in fact, the entire drama turned for the worse after that.

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Uhh...

Oh god! It's an amnesia drama, the most intense kind too. It feels like the humans who worked on this dram come from an alternate reality or a parallel universe. This drama by far had the highest concentration of "buffoonery" in any makjang out there. Zero chill, ridiculous over the top and a "bruh moment" every other scene. All in all, not in a good way because this is the only thing the drama had going on for it, that is to throw as much makjang elements as fast as possible. The writer/director were speed running any% no-loot the human brain tolerance to "bullshit receptivity". Anyway, wouldn't recommend.

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NAH.....

The drama must have a big identity crises since it couldn't decide between being a family drama or makjang, constantly switching even within the same episode. Right from the beginning, EPISODE 1, when one of the family members took picture of Ji Na's necklace and, for absolutely no logical reason, put it on the internet, I could already smell the fuming hot garbage the writers are about to create. Guess what? I was 100% correct. This drama tips heavily on the baboonish side of the makjang scale.

Although Uhm Jung Hwa did a great job, but it's impossible for me to view her as an evil character. I didn't like how she suddenly became evil for no reason from episode 12. We were initially presented by a strong independent Yoo Ji Na (Uhm Jung Hwa) but 15-20 episodes later the writers made her turn to a bag of dirt and completely ruined any build up she had.

The drama had a strange pacing, it changes weirdly every handful of episodes with the biggest change came from switch between episodes 30 & 31 which created a big gap and disconnect in the story. Speaking of switching and change, I think the switch of the female lead ruined the drama.
Jang Hee Jin is absolutely a great actress but she just didn't fit well in this case. They even went on to replace/recreate all of the flashback scenes.

Another form of change/switching came with the love interest which shamelessly switched three times. It was straight up disgusting watching Hae Dang being with one man while sobbing/begging/crying/caring/dreaming/lusting/bitching/loving/chasing/pitying/thirsting/craving/running around for another man. Despicable and uncomfortable to watch! On the other spectrum, Jung Hae Jin was absolutely the only "good" part about this drama and nothing else.

After being the nastiest humans ever to walk the earth, suddenly everyone became angelic and have the highest morale of any other human for the ending. Great writing! It feels like their budget was small, it was mostly filmed indoor between 2-3 family houses with very limited number of outdoor scenes. I feel sorry for this cast to be involved in this atrocious project. The drama that followed it after finishing serializing "Man in the Kitchen (2017)" was much better than this. Can't recommend this, barely 3/10 for the cast's sake.

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Bad...

This is the worst long-running drama I've seen from SBS usually they are serviceable, no wonder they canceled the time slot. It's really unfortunate that Choi Jung Yoon came back from 7 years hiatus for this awful project. This is one of the most brainsmooth stories in kdrama I've seen, absolutely mind numbing. This is the writer's first drama and it's showing big time. Amateur writing, cheap production, bad stylists and horrendous cast performance. There are kids shows better written than this, it's hard to believe a human wrote this. A production value from 20 years ago, awful lighting and sound design. These stylists need to be fired, look at the characters' faces, a thick mask of whatever make up they have is about to fall off. Finally the cast, which consists of 85% of unknowns who can't act and are always awkward. For the same reason, the few side stories we had were uninteresting and lacked and characterization. I think what contributed to the death of this drama the most is the lack of familiar faces, the size of the cast and the side stories.

Misleading poster, the redhead was only there for the first 25 episodes then turned to brunette/dark.

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Kinda watchable...

Don't watch it for the romance, this is 90% politics/business/drama and 10% romance. Most of the couples don't get together until around the ending. Speaking of the ending, last 15 episodes was a one big event that got stretched for way too goddamn long. The ending itself was really lame, this weak-ass ending isn't fitting for a 64 eps drama. Many characters didn't get a follow up or update at the end, like Soo Hyuk's mother and her love interest.

The drama also lacked consistency, its pace is all over the place especially the writing quality, as if there are more than one writer going against each other. Episodes 30 to 50 felt like a dry batch. The excessive time skips were another weak part of the drama and a prime example for how not to do a time-skip. Every time there was a skip the drama created a jarring big disconnect with its content and flow. The action/fighting scenes look too staged and artificial. The dramatic thunder clap sound effect radiates extreme cringe energy.

It's weird for Jung Hye's father to feel this entitled for a daughter he didn't raise for 30+ years. He was introduced around the end and his sole purpose was to create some tension with the baddies, another reason why this drama should have been only 50 eps. Speaking of female leads, imagine if the writers gave both female leads more than 1 singular brain cell! That would make the drama a bit more tolerable.

Cha Soo Hyuk (Lee Pil Mo) is the worst part about this drama, this pathetic leech of sub-human with severe inferiority complex and victim complex. He deserves a worse ending, how he ended up wasn't enough.

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