There's an Italian idiom ("senza infamia e senza lode") which would apply perfectly to this dorama. In English it would mean, literally, "without infamy nor praise", and in a less literal and therefore better translation, it would sound as "not particularly worth of praise, nor of criticism". The dorama has its moments and the main actors (Kanno Miho, Amami Yuki, Tamaki Hiroshi, Koichi Mantaro and Miyoshi Ayaka) all deliver solid performances. Unfortunately, the script is a bit plain, so it ends up been watchable and even quite enjoyable, but at the same time not particularly remarkable.

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Being quite a big fan of Japanese mystery comics (Meitantei Conan) and novels (namely, Higashino!), I really enjoyed this anthology series! True, a coupla episodes are only so-and-so imho (#3,4,7), but several others are absolutely brilliant (#1,2,5,6,8,11), and the average quality is therefore pretty damn good imho. The frame story being played for a few seconds before and after each episode and reaching the climax at the end of the series is also enjoyable (making constant fun of mystery tropes in a very fast-paced and minimal way - kind of like a 4-koma manga, if you know what I mean - adds some nice comic relief). A well-deserved "8", as far as I'm concerned! ;)

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This dorama gets a full 10/10 for its many merits (very interesting plot, beautiful message, great performances by the leads - Aoi Yu and Sakurai Sho - and by part of the supporting cast - most of all, Kazama Morio and Kinami Haruka - btw, too bad Morikawa Aoi's role is so small T__T) and despite its flaws (the naiveté of some details - active learning is indeed a great tool, but it's not so easy to implement it, particularly in a high school environment, as shown here; the ridiculously terrible performances given by Arakawa Yoshiyoshi - the guy can "play" only ONE character, and that's what he does *every single time* in *every single drama*...SO ANNOYING!!! - and by Takashima Masanobu - compared to him, even Dick Dastardly from "Wacky Races" was a credible, realistic and sober villain!!! >__<

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Not all that glitters is gold...

...nor all that's brown and nicely confectioned is Swiss chocolate, if you know what I mean...^__^;;;

In other words, looks can be deceiving, as is certainly the case with this J-drama.
Waitaminute!
This *looks* like a J-drama at first sight, what with the all-Japanese cast (a star-studded cast, BTW - what a waste of talent, seriously! T___T) acting in Japanese, and the Japanese setting.
But don't be fooled.
This is pure Hollywood.
The filming, editing, music commentary...but most of all, the extremely poor writing, the tremendously obnoxious "dialogues" where 90% of the time you'll have stupid, immature characters trying hard to be "cool" (gosh, I *hate* that word!), the confusing and completely implausible plot, the silly ending...and then again, the *abnormous* amount of mindless violence and morbid attention to the most disturbing details, and all in all the utterly luciferian taste - or rather lack thereof.
Not a single character passed the good ole "Meteorite Test" (for those who don't know this old scriptwriting inside joke, let's recite it once again: "If all the characters were to be assembled inside a building in the middle of the desert, and a meteorite were to suddenly fall upon said building, thusly killing them all, would you feel sad for any of them?").
The only thing that could've saved this would've been if they had added a sorta "episode 10.5" where a "Deus Ex Machina" armed with a sledgehammer (half The Mighty Thor, half Ramon Mercader, LOL) suddenly appeared out of nowhere and started bashing all characters' heads in. Then broke the "fourth wall" and went on to administer the very same treatment to the series' writers and producers.

When news of Netflix arrival in Japan broke out, I remember photoshopping myself an image signature (which I've used for a while on another site) with "Zetsubou Sensei" from the eponymous manga shouting, as per his usual: "Zetsuboushita! Netflix no dorama no sei de zetsuboushita!".
Seems the Sensei was right in despairing.
It has been mostly a disgrace, indeed.

p.s.
Of course plenty of viewers, who enjoy Hollywoodian productions, will love this.
To each his own. Peace!

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First things first: if I were to make an actual average of my ratings for the different categories, this drama would get an overall grade of 6/10...so why am I rating it a 1/10 instead? Very simply put, because, a) it was such a huge let down and b) it pissed me off so royally in the second half.
I have myself to blame for it though, as I started watching this "Hirowareta Otoko" without realizing that it's actually an AMERICAN-Japanese production - and indeed, after a few episodes consistent with a typical J-drama, the second half of the series is unfortunately filled with all the stuff that eventually led me to abandon American productions altogether eight years ago, after having watched them all my life. No offense meant, I'm sure most people would disagree and start the flag-waving, star-spangled cheers right away. This is just my personal opinion, so take it for what it is, and if you disagree, just ignore my rant. Thanks.
If you happen to agree with me on the disdain for hollywoodian crap, though, heed my warning and steer clear of this. Luckily for us there's plenty of Asian dramas still not affected by contemporary American "culture".
Nakano Taiga is such a great actor, and there are some wonderful actresses in the cast too (Ito Sairi, Yakushimaru Hitoko, Suzuki Anne, Kaho, Tanabe Momoko, Sato Megumi etc. etc.). The "behind the scenes" glimpse into a supporting actor's life is indeed a tremendously interesting premise. The "packaging" (direction, photography, editing, OST) is also top-notch.
But it all gets utterly ruined by the lousy propaganda it contains, sorry.
Just one example - take this dialogue between the ML and his brother:

"Why did you come to America?"
[...]
"World peace...different people getting along together...[...]...I thought I would find all that..."
"If that's the case, then you did find it."

...'cause yeah, America is so star-spangled awesome, right? >____<
Who in his right mind wouldn't want to go find "world peace" in a country that has been AT WAR for about 228 of the 246 years since its inception in 1776, right? Or to go find "different people getting along together" in a country where racism is literally *everywhere*?
Seriously...>_______<

p.s.
Again, pardon my rant. And please note that I have *nothing* against the American people. I know many, and the vast majority of them are good people. Just not a fan of the government, nor of the media, for the terribly evil effect they have on people both in and outside of the US. Peace!

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A premise: I'm not a religious person per se (as in, I don't belong to any cult) but that doesn't mean I'm a non-spiritual, materialistic person; I usually define myself as an anti-Trotskyist Socialist and a Confucian, and as such, I recognize religion as an important aspect of human life (the only difference I make being between "positive" religions - as in, those encouraging a peaceful and harmonic coexistence within society - and "negative" ones - those doing just the opposite and creating instead a toxic social environment - but that's going too deeply into details...let's just say I respect religions and religious people, as a general rule).
So it was with some (heck, a LOT of) caution that I started watching this "Kaso Girei". The plot reeked of 21st Century hyper-materialism ("There's nothing other than money, so stop having spiritual thoughts and limit yourself to the only things that matter: produce-consume-rinse-and-repeat") but I had hopes that the producer being NHK would mean the topic would be treated intelligently. And for sure, I know that sects can be a problem in Japan, so I would've been fully ready to accept a non-shallow critical view on this matter.
Alas, it's not what this series' all about.
All in all, the final message of this drama appears to me to be "religious/spiritual people are all weirdoes/nutjobs", hence "stop having spiritual thoughts and limit yourself to produce-consume-rinse-and-repeat". Pure Hollywood.
Huge let down. 4/10

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Alas, a missed opportunity

This "Kekkon Surutte, Hontou Desu ka?" had all the ingredients it needed to be a very good - if not outright a great - dorama...but failed miserably due to the main characters being written as a pair of robots. It's even more infuriating, considering that the leads, Aoi Wakana and Sato Kanta, can both act very well but weren't allowed to show their potential, compelled as they were to portray those two expressionless characters (such a waste of talent!). And adding insult to injury, it's not like the writers can't write either, as they also showed their potential here and there, when the situation allowed - alas, too briefly. The rest of the cast, the "packaging" and the music were all pretty good, so with differently written main characters this would've really been interesting!

The way *I* would have written it (very "90s style", LOL - roles that could've been written for the 90s' Sorimachi and Takeuchi, if you know what I'm sayin'): I would have had the ML as a male chauvinist philanderer, and the FL as a staunch, borderline man-hating feminist. And then I would have had them change and grow bit by bit, due to many (often outrageous and funny) happenings, until their final realization that they both would be way better, stronger and happier together, in mutual love and respect.
Cheesy and unoriginal? Yep, you bet. But a gazillion times more entertaining and fun to watch than this yawnfest! ^___-

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