Better together.

Two lonely and neglected high school seniors find friendship, love and a family in each other when their respective difficult circumstances bring them together. The tittle comes into play as they study otters in the biology class and they learn how when adrift in the ocean, otters hold hands to be less scared and stay together.

It's the perfect metaphor for our leads and what they are going through. For them life is as big and scary as the ocean, and the lack of support from their respective families leaves them to be adrift in it, with no one to turn to when things go from bad to worse. So when at first glance this might look like a story about teenage angst, it couldn't be more far from it. Neither of the leads has a safe place to go or a sense of what a true family it's like until they find each other.

The performances are really good. Shin Eun Soo delivers a strong performance as the always in the move kinda of character, for her this is essential because staying put means thinking how bad things are for her at home. On the other hand, Kim Jae Won delivered a great deal of contained emotions. His performance is more subdued, until it comes to a turning point. Both actors share great chemistry and managed to make me believe their character's instant connection through shared pain and frustration that slowly becomes something more positive, full of warmth and eventually love.

Most of the drama was shot at night, under cool tones, which fills the story with dark vibes and sometimes a gritty feel. It gives us a glimpse at a time of day that doesn't seem fit for two kids to be walking around the city, delivering alcohol and condoms. Which is exactly the point the drama it's trying to make visually: the world these kids live on is cold and dark. Except for the scenes at the school, when they can disconnect from their families and connect with each other. Those scenes are shot under a warm color palette and full of light, sunny and happy days.

The conclusion of the story is somehow bittersweet because in order for our leads to be happy, they have to come to terms with the fact that family is not always the one you were born in but the one you choose. Abuse it's not always physical and people need to recognize this in order to move forward and start holding on tightly to those who care for your well being and happiness.

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Camp romance galore!

You might think this is your typical Cinderella love story but you would be wrong. As a matter of fact, nothing about this fairy tale turns out to be like our heroine (and us) expect it.

I freaking loved this drama and I really enjoyed spending time with these characters, which I find to be some of the most likable this year with their camp attitude and sizzling chemistry that puts other romances to shame. It was also refreshing to see a drama couple that truly felt like equals. They actually talk to each other and at the same level all the time, but they also know how to have fun with each other, openly flirting in a way that that feels candid and sexy.

Pyo Yejin and Lee Jun Young are going to be tough act to follow.

Most of it is thanks to the writing, which is solid, coherent, smart and fun. The writer, Yoo Ja, knew exactly what they were doing. BRAVO!

Dreaming of a Freaking Fairy Tale is more than a drama about a Candy heroine meeting Chaebol. This story is a love letter to self-love. In a very simple and fresh way, we are thrown into the world of these characters and see them grow into becoming even more amazing people.

Our heroine, insecurities are really well rooted and subsequently developed. We see how growing up in poverty has affected her self-worth but also how her mother's abandonment affected her dynamics with the new family his father formed. This is another point that I loved about this show: Step-mom and the two step-sisters are actually kind and cool people and the entire problem the family faces is a lack of proper communication. There's plenty of love between them.

Our hero's personal story is also rooted on a family conflict but in many ways it hasn't cripple him emotionally. Sure, he has his ups and downs but most of the time I personally believe he is thriving because he's open to new people and experiences. This is a man that it's not afraid to "follow his joy". He is a really good listener, doesn't talk down to people as someone with more money than them, and he’s also not patronizing as a man. Prince Charming? I THINK SO!!

So far, I am yet to see better than this drama when it comes to the romance/comedy genre and it's definitely one of favourites I have seen this year. Likely to make it to my TOP 10 list.

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Auditors go wild!

I wish more dramas where like The Auditors. For starters, this drama is perfect in length: twelve episodes, no loose ends, actual character development, well paced. An airshot script that knew where the story and characters where going, its strengths and weaknesses, and that took advantage of all of it in order to bring one of the most entertaining kdramas of this year.

Yes, the story following a department of internal auditors at a large construction conglomerate is highly entertaining. That goes to show that it doesn't matter what the subject matter of a drama is, as long as the people in charge of production, casting, directing and acting know what they are doing and have a clear picture, it's a win.

The cinematography and camera work is fast paced, as it should, for this is an action drama full of intrigue, betrayal, murder and corruption. Like any story of this genre you have the typical archetypes in each key player but the performances manage to make them feel fresh and likeable. Some characters are meant to be more nuance and complex, those were a treat to watch as we dwell into their backstory and motivations.

The list of guest stars this show has is mind-blowing and I don't think enough people are talking about it. Every episode or so a familiar face shows up for a particular story arc. It varies from a recently famous actress to a veteran actor, character actor that you might not know their name but you definitely know their work. It's wild the amount of talented people involved in this project.

Overall, I found The Auditors to be a really solid drama and I recommend it.

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Wonderful from beginning to end.

This is the type of drama that I consider to be on a league of their own because they cannot be compared to other stories going around on streaming sites and cable tv. It was wonderful from beginning to end, with a cohesive narrative and characters whose development actual made sense when you take in consideration past decisions and present time dilemmas.

One of the things I loved the most about Fake It Till You Make It is that every supportive character that shows up in, doesn't only exist in order to push the story forward for our leads but each of them have a life of their own and we actually get to see it. We experience their lives as much as we experience what the leads are going through. That's honestly incredible to watch because it makes the world building infinite and the houses, work places, cafés and bars, feel lived in. Each of these people are the lead of their own life.

Because of this aspect, I had to take the show slower than I usually binge watch such a short drama. That's because the experiences and situations the characters find themselves in, personal or professional, felt at times incredibly real. Too real as I have been in those spaces before so I could fully understand the frustrations of a personal relationship not working out, being look over by superiors at work or feeling like you are going nowhere in life, inevitably comparing yourself to others. Learning that to live freely means understanding each person has a different journey that cannot be compared with yours it's a difficult task. What works for you, may not be the right choice for others and viceversa. The diversity of paths life can take you can be confusing and I think Fake It Till You Make It managed to portrayed perfectly.

My favourite thing about the drama was how the leads showed moments of growth in every single episode. Sometimes at a slower pace than in other moments, at one point one of them is growing faster than the other and there's a moment of decision to grow together or let go. I loved it.

This is honestly a perfect drama that I can't recommend enough.

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Small town, busy people

I want to give proper value to the production team because technically speaking this is a wonderfully made story, with lot of attention put into the detail. The first thing that caught my attention was the sound mixing, which easily created a slice of life vibe, set in the rural location. There's almost no soundtrack use during important scenes, choosing the surroundings over it. The sound of the ocean, the cicada, a dog barking. It all completes the story.

The characters wear barely any make up, their clothes are something any of us would wear during the summer, which goes perfectly with the lack of interest in superficial aesthetic.

The drama lives and dies with the performances. The actors are the heart of the story and they deliver on creating a close-knit society in the small town their characters all grew up.

At first, I thought I was in for a slice of life sport story about friendship, love and overcoming personal struggles but to my surprise there was a murder mystery thrown in the middle.

I understand why the writer of this drama used this troupe to point out some toxic behaviour from society, our prejudices and the damage gossip can do to a person's life. Sadly, I think the main story suffers from it and deviates of its strongest points which is the relationship between the six main characters with each other.

Overall, this is a very quiet and rustic story with some solid performances but easily forgotten among many others dramas that have done this before and better.

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Letting go of expectations and embracing flexibility

Do you know Ashtanga is a hit with me. It delivers everything you want from a young adult story: it's funny, sexy and has some really well done classic rom-com moments.

Nara, our leading lady, is best described as a complainer. She's at a point of her life where things seem to have stuck: her personal and work life are not good, she compares herself to others and and even judges them.

I really appreciate a drama special centering around a young woman, in her thirties, still trying to figure out things. After quitting a well paid job and following her passion, Nara is not even close to have an answers about life and has to deal with her own insecurities, which are mostly what's holding her back, and that feels true to life. Nara goes through a journey of accepting life as it is and learning to change what she doesn't like about it. Letting go of her expectations might be the hardest part, especially when society has programmed you to be a certain way and have certain things, at certain age.

To say she's at a low point emotionally it's an understatement. That's when she experiences an adorable meet-cute with Tae-joon, the son of the wealthy family from whom Nara rents the studio where she teaches yoga.

Tae-joon likes Nara immediately, thinking of her as the perfect combination of cute and cool. He is polite, nerdy, eager to help and respectful. His attraction to Nara is based on the fact he likes how she holds herself trough life... he might be one of the greenest flags I have seen in Dramaland.

He also deals with his own insecurities about his economic status, being self-conscious about people seeing him as a spoiled rich guy having grown up with a family that it's rather snobby and not a fan of his views on life. For example, his mother berates him for collecting items to donate for the needy and insist for him to start wearing luxury brands instead of buying clothes at the smaller shops at the neighbourhood. It's clear people have misjudged him before because of his money.

The story might be full of tropes but is in the performances where this story shines. Both leads deliver their lines with such an easy chemistry, dry humor and comedic timing that's impossible not to smile at every interaction they share. The story is so well written that it feels well rounded and the world lived in, the characters full of colour.

I absolutely recommend this sweet and fun rom-com that might give you some food for thought.

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Small team, big heart

One Dollar Lawyer wastes no time: we jump right into the tale of our low-fee lawyer, and see his eccentric ways play out first-hand. The drama excels at random offhanded moments of comedy, and that’s totally what I’m here for.

Namgoong Min, of course, is just excelling and having the time of his life here, and I have to say I was pleasantly surprised by Kim Ji-eun, and their interactions when they start working together is superb. On the other hand, Park Jin woo is mostly known for his more serious roles but here you get to see him in full comedy, delivering some a very funny performance. Choi Dae Hoon plays the prosecutor dork trying really hard to be cool without realizing his honesty and hard work are exactly what make him one of the best characters in this show. Finally, Gong Min Jung shines as the smart and cool as a cucumber prosecutor, the perfect fold to her colleague and our lead's eccentric ways.

All in all, this was a drama full of nuance comedy, that really excelled when it decided to get more into the drama or thriller genre. Far from boring, dragged out, or overly violent, the cases were more about helping people in need (mostly people who society discriminates against), but we also have a bigger plot related to our hero's tragic origin story.

The standout guest roles go to Lee Chung ah and Nam Myung Ryul is what's probably the most heartbreaking performances of the entire drama.

I recommend it !

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In what can only be described as the korean adaptation of the Nicholas Cage's Christmas classic The Family Man, Kwon Sang Woo's character gets a taste of what life could had been like if he had made different choices.

Switch (2023) captures the feeling of the original film and brings a new life, heart and laughter into the story. The director and writer, both, know how to make this adaptation feel fresh, even when it's a story we have seen before. The acting is the strongest point of the story, with everyone delivering their A+ game and making you feel everything their characters are feeling. The humor in this movie is also very good, so I am sure everyone can enjoy it.

Overall, I fully recommend it!

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Entertaining and fun drama!

A historical drama with a twist: it imagines ancient China as a matriarchal society. The Romance of Tiger and Rose is set in the fictional city of Huayuan, where women rule, command armies and hold public office. They even pass their family names on to their children. On the other hand, male characters aren’t allowed to pursue their studies or careers; instead, they’re to be obedient and virtuous, and dream of meeting a woman who will sweep them off their feet and into a life of domestic bliss.

Meanwhile, the neighbor and rival city, remains a patriarchal society where women are to study decorum, stay silent, do what husband’s tell them, take care of the house, children and parents. As a result, the problems that arise in this city sound familiar: young people prefer to stay single or ask for a divorce within a year after getting married, and birth rates drop. Their government even debates, at on point, a marriage law and if citizens don’t comply then they would get fined or even go to jail.

The drama is clearly trying to get through a point and it’s not surprise that gender issues, which are being largely talked about and challenged in contemporary China, are showing up in Dramaland.

An interesting premise but the drama does not analyze this matters, preferring exposition and gender bender hilarity to make a point about equality between men and women. Still, the issue is right there staring at you and impossible to ignore since it makes all the difference about the lives and interactions of the leads, which are -of course- each from one of these cities.

Since this is about a screenwriter getting trapped in the drama she wrote, the story also gets meta at times. Right down with leading lady calling the most prestigious storytellers of the city to a “writer’s room” where they talk about how to change the story and they end up debating all the usual drama troupes, ship wars and more. It was definitely my favorite running joke in the show.

Still, I had a great time with this absolutely charming and lighthearted drama. Kudos to Zhao Lu Si and Ding Yu Xi for their work as leads, their chemistry was fun, sweet and off the charts. The secondary cast does an amazing job, particularly Wu Yijian and Liu Shuyuan, who played the respective loyal right hands of each lead and were hilarious at it.

I recommend it!

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Short and sweet

This was a perfectly fine drama full of very easy to like characters who had confidence in themselves and others. Because of this, I think the strongest part of Serendipity's Embrace are the friendships and family relations, giving us a glimpse at how the people we choose are a fundamental part of how we deal with life.

The friend group was particularly special and wonderful to watch, and I loved to see a healthy portrayal of women supporting each other and, also, the possibility of being friends with the opposite sex without any romantic entanglement.

Story-wise this was a very sweet and stress free romance but I do think it wasted too much time on the flashbacks to the leads' high school days to establish their "strong connection". I get it, they were meant to be even back then but I am far more interested in their relationship now as adults than days and opportunities already gone.

That said, I was a little disappointed in the use of mental health issues to excuse bad behaviour or troupes that belong in the 2000s, were we left them for good reason. All of these are embodied in one particular character that we could have done without.

So if you are looking for a short and sweet kdrama to pass the time, this is it.

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What was that ending???

For starters, this was a great watch. The production value was outstanding, the clothing design beautiful and the performances exactly what you want from this kind of revenge story, which is subtle and over the top at the same time, somehow. The music and editing could be better but they didn't stop me from enjoying this drama.

The main characters are smart, deadly and flirty. Their friends and family members a perfect fold for their cunning ways.

Wu Jin Yan and Wang Xingyue have an explosive chemistry. It's unreal. Every scene they had together got me giddy with excitement.

The villains were not your typical and I found myself equally invested in the part they had to play in this story. Their ending was befitting to their respective arcs and retribution sweet.

It's my first time watching a drama where Li Meng stars in but I am damn impressed by her. She's a powerhouse and I will be looking forward to her future projects.

This is also the kind of drama where nobody is safe and I commend the scriptwriter for going there when so many other don't. That said, if you are going to kill a major character, you can't have a lukewarm resolution.

I have spent the better part of the last hour reading and watching every interview the director, cast and crew gave about this drama because when I finished it watching I was pissed.

This might be controversial because I know this is a well loved drama, hell, I loved watching this drama but what was the director thinking changing the script of the final episode and leaving the story as an open ending? Viewers spent 40 episodes, invested in this characters, hoping for them to have a happy ending, only to be met with a final scene that can be interpreted as reality or wishful thinking. Leaning more on the latter.

A revenge story it's not something you leave open ended. And, yes, I know there's an epilogue and I think it should be part of the final episode not something you release just in case fans might be angry at what you did. This is so unserious, I am lacking words.

This drama was a solid 8 for entertainment and production value until that ghastly final scene, forcing me to drop a full number. They should have known better... and they did. Why release an epilogue if they didn't?

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Shogun is 2024's best drama

Fans of period dramas, full of intrigues and political chess plays will find SHOGUN to be their cup of tea. This is an incredible story set in the change of eras which compounds the bushido culture and the arrival of western sailors to the shores of feudal Japan.

Shogun is based on a best selling novel, that fictionalizes real events about the rise of a Samurai Lord to becoming Shogun and the start of what we all know as the Edo Period. Around the end of the 1500s, the portuguese and spanish had arrived to Japan and the Peloponnese, establishing a treated that divided the region in ways that their countries could benefit from the commerce but also create colonies and spread their religion. Rumours about these lands spread among sailors for the next 50 years or so, and finally in the 1600s ships from other monarchies, such as Britain arrived in the region.

At the same time, years earlier there was a time of inner fights and civil war among the japanese. During this time, many peasants were able to socially clime in ranks thanks to their leadership as samurai and eventually became Lords. These new nobility has a hierarchy among them, of course, related to the lands they had won in battle, people and their family's history.

The story of Shogun starts during a period of peace among these Samurai Lords... or so it would seem.

One particular character, a british sailor, is supposed to be the audience placement in the story. As he is introduced and learns about japanese culture, the audience learns about it and what game the Samurai Lords are playing among themselves as the fight for power over the realm.

Legendary japanese actor Hiroyuki Sanada is listed as actor and producer in this tv show. His first time, according to interviews, having a role and say behind the scenes and I have to say he has done an incredible job. This might be an american production but Sanada insisted, as producer, on having an almost all japanese crew and the end result is a 10 episode tv show where each episodes feels like watching a movie. The attention to detail from the cinematography, lighting, sets, locations, the fabrics and designs of the clothing, and performances are simply superb.

Sanada also took it upon himself to teach the younger actors how to speak the japanese from the period the story is set at, something none of them had done before. In western culture this would be equivalent of teaching Shakespeare's english. Maybe you don't know japanese and it doesn't matter to you, plenty of the audience members watching this tv show won't even know this, but I think it adds another layer to the level of commitment everyone involved in this production had when filming Shogun.

The performances are outstanding. Everyone brings their best game and the acting is very subtle, each of actor manages to deliver the strongest emotions through micro-expressions and even silence, a difficult feat when you think this is a story mainly about the art of appearances. Where everyone is holding their cards very close to their chest, so you never know what they are capable of and what will they do next.

Actors like Asano Tadanobu, Hira Takehiro, Nishioka Tokuma and Abbe Shinnosuke are incredible to watch on the screen. Their performances will leave you wanting more. But the true gems of this story are a women: Anna Sawai, Hoshi Moeka, Kouri Yuuka and Nikaido Fumi hold their own against veteran actors and play them like fiddles. They standout as Samurai women, trained in the arts of war and court alike, and play key roles into the events that develop through the ten episodes of the series. The weakest link, acting wise, is Cosmos Jarvis. I am sorry to say I have no cluewhy he was casted. His performance leaves much to be desired, like his character, and since the tv show was renew for two more seasons I am hoping he does better in the future.

This is also a slow burn, goes hand in hand with the nature of the story being told and the performances. Big things do happen in each episode but the tv show slowly builds up to the last two, that's when things really implode/explode and makes a shift to get you ready for the next season.

For all these and so much more that I can't tell you without spoiling the series, you should watch Shogun.

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I’m down with the flu, so instead of studying for my finals I have been watching a lot of films and series. That’s what you are supposed to do, right? Last night, I watched Love 911, a korean dramedy from 2012, starring Han Hyo-joo and Go Soo as leads, and with a really good and solid ensemble of supporting actors.

Mi-soo (Han Hyo-joo) is a doctor studying towards her goal to become a cardiothoracic surgeon and working through her residency. She has a tendency for being a smartass and quick judgement, but it backfires when she misdiagnosed a woman, whose husband she assumed to be an abusive thug. So when the patient takes a turn for the worse, the husband decided to sue.

Kang-il (Go Soo) is the epitome of the wounded hero. A former soldier now turned firefighter and widower. Despite having a great team of friends and co-wokers at the station, Kang-il refuses to move on with his life, carrying the guilt of his wife dying alone while he was busy saving others.

Fate and some machiavellians ways bring these two together. The relationship between Mi-soo and Kang-il didn’t feel forced, their chemistry is fiery since the first moment. Her carefree personality brings a much needed light tone to his brooding, and his way of taking everything serious gives her a newfound weight to every decision she makes and how they affect other people’s lives.

I enjoyed it was Mi-soo who very cheekly and endearingly pursued Kang-il first. That’s right, he was the one being wooed not the other way around. In this film you will find a leading lady, willing to take risks and rejection, but also in control of her life, not letting anyone tell her how to be proper. What’s more, this way she has, actually gets her out of almost all the troubles she starts.

Kang-il’s grief was harder to watch, mostly thanks to Go Soo’s acting, which carried a lot of weight through the film. You could feel his heartbreaking and denial to move on, even when he was clearly falling for someone else. But he had lighter moments too, like when he interacted with his friends or Mi-soo, and then you could see glimpses of the real Kang-il.

The rest of the cast it’s what really made the story so enjoyable to watch. Ma Dong-seok (Police Force 38, Train to Busan) is the adorable and though Chief, who behaves like an older brother and father figure at the same time. A true leader. And then you have Kim Sung-oh (Fight for My Way, My PS Partner) and Hyun Jyu-ni (IRIS, Descendants of the Sun) friendship-turned-romance which is both hilarious and endearing. My favorite part is the cameos from Jung Ji-hyun and Yang Dong-ge, the detectives who befriend Mi-soo at the police station.

Overall, Love 911 was a fun romance with enough gravity to have actual character development and a lovely message about the meaning of happiness and living your life.

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It all ends the way it started. With grown men getting a beating from a tiny little woman, but this time around there’s two of them and the mobsters still run in fear and tears. Also, they were their babysitters.

Personally, I through-fully enjoyed the mobsters storyline from beginning to end, and it’s so like them to get conned and end up in embarrassment yet again. In their defense, they are like a phoenix that keeps on rising from the ashes, again and again. And despite their ways, they were kind of good guys once you got to know them and kept them in line.

Another incredibly funny storyline were the neighborhood kids, who I was sorry to not see at Bong-soon’s wedding, and just kept brining laugher with every scene they were at. Their journey was equally enjoyable as the mobsters, sometimes even more because theirs was a love story with their Noonim. And I love how they went to have a little talk with Min-hyuk to know more about his intentions with their boss. I love even more than he had no idea Bong-soon had this group of high-school kids patrolling the neighborhood too. HAHAHAHA!

Also, it was good that the show clarified that Mom didn’t use physical violence against Dad *that* time around. I still believe that the show didn’t portray this woman in the right way and that her journey wasn’t all that. She’s still the bully she was at 19, the only difference is that she doesn’t use her fists. Should I be applauding this? And I would have like for Dad to make an stand other than to leave the house, for example, how about a real talk between them? He was such an endearing, honest and good character thorough out the show that I grew to love him as I love our leads. He is precious. It gives me hope that the last scene between him and Mom was much more peaceful than usually when Gook-doo’s mom was involved.

I’m also happy awesome bro Bong-ki got some screen time too. This was such a good character, just like Dad, and I was sorry we didn’t get to see more of him. I also think his storyline with Hee-ji was a little rushed at the end. And it doesn’t seem like it because Bong-ki spent a lot of time healing broken bones (thanks to his sis) but this relationship was really put to a test: Gook-doo found out not only that he had been lying through out their entire lives by keeping Bong-soon’s secret but also that his girlfriend was attracted to his best friend. So I appreciate how their friendship remained strong even after everything they went through.

As for other characters like Secretary Gong and Mr. Oh, they were another great comedy act. Especially when they were together and I love how their bromance was born by getting to know each other better through their shared experiences with Bong-soon’s abilities. Pffft!

Finally, Min-kyuk really changed through the story: started as a lonely guy looking for protection from his own family and ending up as a man with a family to protect. He was smart, honest and assertive from day one, and not once he tried to change Bong-soon into something she wasn’t. The greatest attribute Min-hyuk had was that he never made Bong-soon feel that she had to hide from the world, what’s more he even encouraged and helped her to be more like her true self and come into her powers. He always tried to be there for his girl but was more than willing to be a proud onlooker when the time called for it and let Bong-soon do what she had to do.

Bong-soon’s journey was also something to witness. When we first met her she was hiding from the world, afraid of her powers and by extention herself. These abilities she was born with had made her an outcast despite her spunk and outgoing personality, she was confident but had insecurities. Some of them born out of crush and others from the idea society holds on how a woman should be and behave.

I liked how the show connected her personal life with the city’s problems, because in a way they are one and the same, by having her best friend being kidnapped by the resident psycho. It was a good move since she was already gaining the confidence to do more with her powers by watching the news, her interactions with the mobsters and the neighborhood’s kids and Min-hyuk, who knew from day one about her powers and didn’t rejected her. He thought she was sexy! All of these factors made Bong-soon want to become the heroine of her life (beyond a video game) and I really loved to see her grow into a truly strong woman ready to take on the world.

Strong Woman Do Bong Soon wasn’t a perfect show but it was really entertaining and sweet, made me swoon and laugh out loud more than twice per episode, and I’m going to miss these characters and their shenanigans!!

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