Messy, inconsistent drama that was exhausting to watch

Firstly, I dropped this show after 20 episodes and this is my impressions up to that point. I might be swimming against the tide but this is my honest opinion.

Secondly, I wanted this show to succeed. I was enticed by the synopsis and the idea of a more realistic FL in a sea of pretty clones.

To be fair, the first few episodes do deliver. It was zany and breaks the mould of a typical historical drama. The FL is certainly full of vivacity and largely worked without a filter which is good. However, as a whole, it is poorly written and executed. Some of the acting is patchy and the Show suffers from an identity crisis.

I know this is harsh but I exhausted myself trying to like it and this is why;

1) It doesn’t really have a plot up to this point. The ML doesn't want to be a puppet king and the FL wants to be accepted and loved. That’s nice but the story telling is messy and contrived. This is back-of-a-napkin writing with time wasting fillers.

2) The FL didn’t become a better/proper Queen but more or less browbeat the court into submission. I don’t mind that the FL is unconventional, I welcome it but her plot is just a series of cliché trials or watch her steamroll through everything else. I was looking forward to her growth in statue and abilities so that she can be the rightful Queen. So far, she is turning the palace into her whacky playground (square dancing anyone?). It's fun for a bit but where's the growth after 20 hours? Similarly, the ML has shown little aptitude of being a good king. He could have been a typical scion from any costume drama. He has the visual but not the gravitas unless you count being stony faced.

3) Very few of the secondary characters behave consistently. You have to question their personality or even their IQ.

4) Mel Brooks once said, “Tragedy is when I cut my finger. Comedy is when you fall into a sewer and die.” That resonated with me as I wrote this. Most of the Show’s humour is bold and loud but there is little witticism nor nuances. To be fair, the FL has good comedic timing and an expressive face, so she did a lot of the heavy lifting. This also means that we expect something "funny" every time she is on screen. That’s a lot to ask of one character to sustain for 36 episodes. Most of the support casts are just cannon fodder during slapstick routines.

5) The OTP will fall in love and have a HEA ending, the drama gods have spoken. The show created every cliché situation to throw them together. Nevertheless, and it pains me to say this, there is little chemistry between the two. Kiss scene felt flat. There are dream sequences, piggyback race, they behaved like lovesick puppies and on it goes. Unfortunately, just like some of the comedy, it doesn’t always stick the landing.

6) I know the Show is not historically accurate, but it is an awkward mash-up. There is little chance of immersion due to constant hints of modernity. The costumes are a hotchpotch of styles/epochs and some have distinctly Japanese feel. The palace protocol goes from overbearing to non-existent. Want the royal couple to have a cat fight in the middle of the palace, sure, why not! Ditto the tone of the show swings from moment to moment. It spans genres with no firm grasp of any of them.

The sad thing is that the potentials are there. The production quality is generally good, the sets are lush, costumes are rich. No doubt the FL was giving us her all. But . . .

In the end, quirky is good, funny is good, support diversity is very good, but good components still need a decent script and good directions to tie them together. We need plots that are meaningful and characters you’d care for and want to ship. Alas, this show is like trying to herd sheep with a cat.

I don’t hate the show. I just feel exhausted from trying too hard to like it. I am dropping this for now so that I can clear my head. Peace out.

Citeste mai mult

What's sex? Love is all you need

I had high hopes for this drama. Ok, it is a slow burn in the first half while all the characters are introduced, and we find out how their lives are intertwined. The main plot focused on two sexless marriages and the impact on the relationship of our 4 leads.

It is not unusual for a Japanese drama to take an awkward situation and drill down and come up with something uniquely insightful. This show has a hint of that while tackling the role of sex, intimacy, communication and trust in a committed relationship.

The show does pick up it's pace in the second half and it was reaching a crescendo towards the end when it seems to hit the brakes and the show feels oddly moribund.

Let us backtrack a bit. The show is largely about two marriages and they are both on the rocks because of, at first glance, the same problem. A lack of intimacy and poor communication that created an icy atmosphere and lots of stilted moments. This is not help by one dimensional characters. Their relationships spiral ever downward in a low grade poisonous and self destructive way. They seem to spend the bulk of the time apologising perfunctorily to each other. Timidity, sullenness, frustration and detachment are the four horsemen of this drama.

The show appears to be postulating two types of marriage breakdowns. Both pass through a awkward sexless phase. However, in one case, the love between them is stone dead while the other is a complex dance of false promises, poor communication and selfishness but the flame of love still flickers under the dung heap. There is a lot of penned up emotions and subsurface angst. They have an almost affair, actual infidelity but also attempts to patch things up but the dice is casted, and we are heading to a seemingly obvious conclusion.

It would be too much to ask for a HEA ending, but the last episode feels flat. After a year apart, the FL crumbles and mended her relationship with her ex-husband with little preamble. The second ML is forced to play the Noble Idiot card and walk away empty handed.

We are not told if she accepts the status quo as the new norm or all her grievances were addressed. It seems to come down to the old Love Conquers All trope.

The show put forward a number of questions but ends up walked away without answering them earnestly. We get hints that resolves have been weakened, expectations realigned. It feels like a bet each way. It is insipid and provides little service to its fans. Do we really need 11 episodes to tell this sorry tale?

In terms of acting, all the leads did fine. OST is nice. I could find no valid reason to rewatch this.

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Sweet love story ticking all the boxes

Whether you have heard of NEET or Hikikomori spectrum is unimportant for the enjoyment of this drama. You will find out about them soon enough but I’m afraid it is only scratching the surface. This drama is not about addressing social problems. This is a love story first and foremost. As such, it is very well told.

Watching Marry Me is like participating in a script writing class. All the tropey elements are present and accounted for. They pop up on cue and play their parts to good effect. We have SM/FL and they stirred things up before moving on. The ML’s parents showed up unannounced and the stress level jumped as expected. Reconciliation arrived just in time and we find out that they are good people but they do need to work on their communication skills. This is the one True Way.

I know it sounds humdrum, but this show is better than that. This is largely because our leads are so adorable. They do not have a mean bone between them. They have total trust and love for each other. Time and again, they express their happiness just being in each other's company.

This means most plot developments are window dressing. They move the story along and our leads have their growth and mini breakthroughs. We watch them fall in love and use their commitment to overcome whatever obstacles placed before them. This is not high drama by any means but a steady and satisfying march towards the HEA ending. All the boxes are ticked methodically. Those little ducklings line up with military precision. Huzzah!

This show is not for everyone. If you are a romantic then this is a must watch. I certainly enjoyed it a lot and I'll binge watch it again over a wet weekend.

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Totally irrelevant but enjoyable romp

As a 2 eps bonus extra I'm not sure the rationale behind its production. It is set in the No Gain, No Love universe but it is a branching subplot that has no impact on the original storyline. Maybe they just have all the people standing around and the B-listers are on the clock so they just throw something together. Seeing the original series was only 12 eps long, the production team needs to get their money's worth. Of course, it would be nice if these 2 extra eps are focused on our OTP but it is a first world problem. ;)

The production is definitely more cheeky and fanciful. It is modelled on a saucy web novel so anything goes. I think what I enjoyed the most is the self awareness and 4th wall breaking bits. I loved the bed scene where the FL shouts "Again! Again!" because she can't remember the actual sex act! Then we hear the voiceover saying they have to bump the show down from R to PG. That's why we ended up with the ubiquitous blanket over the head and the fade to the next morning scene. So meta. ROFL That is worth the price of admission. There are several other references to tropey plots and other silly devices. It is almost a satire on itself and the genre as a whole. I appreciate the candour.

In the end, It is a bit of irrelevant, fluffy romp which brought a smile to my face. There is no point in judging it too harshly. It is what it is. BTW, I'm sure they had a blast making it. I wish I was a fly on the wall. ;)

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Perfectly sweet, perfectly inoffensive. Totally . . . fine

To hate this show would be like kicking a puppy. To like it would take no effort but that’s a low hanging fruit. If I was new to drama watching then I'd scored it higher and posted a page full of ❤️ but I'm too jaded and grumpy so I ended up writing a review instead. ;)

This show reminds me of several other dramas in the same genre but with the angst dialled down and the sugar level hitting WHO daily dosage level. Is that a bad thing? For some, this is their sweet spot. However, it really does nothing for the genre. To be brutally honest, it is samey and forgettable.

The writers seem to go out of their way to minimise the impact of any angsty tropes. If there was a chance of misunderstanding, then the other party would just happen to walk past to overhear the relevant conversation. If there was a hint of danger, then someone would happen to be in the vicinity just in time to defuse the situation. It is nice to be harmless but it can also be a path to extinction.

In terms of acting, the ML is playing the same nice guy which I thought was perfect in Perfect and Casual (2021). I suppose it is better to be typecasted as Mr Nice Guy than a serial killer. He is totally besotted with the FL for years and she can do no wrong. While it is great to see them get together, there is not much push-pull.

The FL is sweet and innocent. She is well casted in that role, but it is hardly a challenge either. The rest of the support cast are standard issue and I, for one, am glad that the parents are so nice and supportive. As I said before, inoffensive.

The 2CP is fine. Has a bit more kinks in their path to happiness but we know they are the 2OTP hence it is so written so it shall be done. The 3CP is more about social commentary than the pursuit of happiness. Thus, they are a bit inconsequential. Everything is . . . fine.

I would be lying if I say that I didn’t enjoy this little romance, but I would be hard pressed to recall its storyline in a few weeks’ time. It is a classic popcorn flick. It is fluffy, harmless and forgettable. That is a shame because the potential is there. The show just has no desire to push any boundaries. This is odd as the underlying storyline is all about the FL trying her best to succeed in her career.

BTW, there is a 30mins “epilogue” which is total sugar overload. It largely consisted of bonus scenes that didn’t make it to the actual release. Sweet, so very sweet.

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More of the same with odd stumbles

I, like many fans, were looking forward to S2 with great expectations. It pains me to make the next statement. I like aspects of S2 but I don’t love it in totality. It improved on some bits, kept a lot of "what is not broken" but also created some new problems.

On the positive side, the ML has matured into his role even though technically no time has passed between Seasons. He does look very thin in some scenes which is concerning. He is no longer a young buck who needs rescuing all the time. The ML has become a real player in the power game. It is great to see him go toe-to-toe with his foes and even some of his mentors. The downside to this is that he is given even more screen time to the detriment of other actors. This diluting of some character interactions really hurt elements of the original story.

I’m glad to see some storylines are still engaging. However, it is not all good news. There are stumbles in the narrative that left me scratching my head. Such as the whole episode devoted to selling Treasury Bonds. It fits into the overall narrative, but it feels like the cart pushing the horse. It is odd.

This also includes the exaggerated use of comedic elements. Some actors overact for cheap laughs which feels incongruous. The worse offender is the use of the yodelling song. Why? It is so jarring.

If S1 has a big cast, S2's is downright bloated. Most of the returning characters resumed their old roles but with developing plots, there are changes. It was quite a neat revelation at the end of S1 when the 2nd prince was revealed to be the hidden antagonist. He was intriguing in S1 but now he feels a bit lame once he openly challenges the ML.

Speaking of expanded cast, Several characters from S1 took on more prominent roles. Rou Rou is definitely one of them. Her role changed substantially. However, I’m not sure about her training to use the Ultimate Weapon. Is that a breech too far?

Another one is Ye Ling Er. Gina Jin took over this role. I'm not 100% sold on her visual and the "changed" characterisation. There is even a hint of a tragic love line brewing. I'm not sure I'm onboard with this but we shall see.

As expected, the story becomes more convoluted as schemes and counter schemes are minted. This does slow down the overall pacing noticeably. The revelation of the link between Xian and the Emperor certainly stirred up a lot of high emotions and opened old wounds. Nothing was resolved by the end of S2 so it is up to the writer to tie in the game of throne plots with the underlying sci-fi theme.

Speaking of ending, I’m happy that we don't have another cliffhanger. It was surprisingly positive and even a little cheeky. Maybe this is because S3 is already in the works so we don't need to force the issue. However, the last few eps did feel a little out of sorts for me. The "invention" of a banking system and the three workshops plot feels a bit awkward. The Ming family storyline is disturbing. It feels ham-fisted though. We become numbed when the body count of faceless victims balloons.

Production quality is decent but a bit inconsistent. There are silly mistakes which should be caught in post production. I know, they must maintain continuity, but you'd think improvement would be universal after 5 years plus a bigger budget.

I certainly enjoyed the drama, but it is not a slam dunk for me. There are some striking visuals and more depth to some plots but at the same time, not every subplot fires. Ditto some roles feels watered down or sidelined. May be there are too many cooks in the kitchen. That is a typical malaise of palace/political dramas. In the end, I'm happy to have watched S2 but I'm not blown away.

Finally, the elephant in the room. There are rumbling from netizens that the adaptation is drifting further and further away from the source novel as the series progresses. I don’t have a strong opinion on this, but it could explain some of the plots, characters and pacing issues.

Bring on Season 3!

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Not impossible but they need to try harder

The FL has a breakout role in the film Burning. I jumped at the chance to see her in a proper drama series.

The initial set up of her character was encouraging. Her character is hard working, resourceful and has a laser focus on her career. She might be down on her luck, but she has a backbone of steel. The potential for growth is writ large. So much so that I can overlook the tropey contract marriage/cohabitation plot if she is allowed to play to her strengths. Unfortunately, it is where the engine kinda stalled.

To wit, once the show simple premise is lay out for us, the FL's role actually diminished. She has flashes of brilliance but soon her role is overshadowed by the male lead aka Moon Sang-min. For half the series, she is the "meek" fiancée of the 2ML. At one stage, her character was forced to go into hiding and lay low. Not exactly the ideal setting for scene stealing performances.

To be fair, I don't have a problem with the acting of Moon. He is handsome and charismatic as ever. The show is pretty much his starrer. Our leads do have good chemistry and their on/off romance is what sustained my interest. However, the paper-thin plot needs more to make it work. So far, it is not much more than a cavalcade of tired tropes.

Alas, that memo didn't land on the right desk. Most characters are straight out of central casting. Side plots are tropey and boring. Antagonists are more meddling than evil. It is all so samey and predictable. Even the writer-nim recognised this. There are multiple references to "trashy drama” plots in dialogues. Self awareness . . I get it! Ha ha . . indeed.

Even when we are served a sugar hit just after the 3/4 mark. It was immediately followed by the ubiquitous breakup with not 1, not 2 but 3 lots of Noble Idiocy. Predictably, that send our leads straight to purgatory but served little other purpose.

This is further confirmed in the last EP when after a mandatory 1-year time skip, our leads threw themselves at each other within hours of a chance meeting. What is the point of the breakup? This leads to 15 mins of decent fan service and HEA endings for all concerned whether they are good, bad or just silly.

I am not saying the show is bad. It is quite watchable and entertaining at times but the wasted potentials just irks me.

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A do-over done right . . With caveats

I think I shall call 2023/24 the Year of Do-overs. Quite a few shows have the lead(s) shuffle off the mortal coil only to come back as the much improved Lead(s) 2.0.

To be fair, if anyone deserves a do-over and right some serious wrongs, our beloved PMY should be at the head of the queue. We are left with no doubt that her life has spiralled out of control and death is a blessed relief.

With her demise out of the way, the show completely changed tone. The FL was confused and stressed for the moment but once she accepted her situation and got her little grey cells working overtimes, she was on fire! She re-evaluated her life from high school onwards and noticed all the red flags she never noticed before. It was obvious in hindsight that she was manipulated and gaslighted constantly by someone with a singular purpose.

The middle section is the highlight for me. It was gratifying to see our OTP join hands and outsmart the antagonists at every turn. Everything seems to be going swimmingly. If you think there is a BUT coming then you have obviously watched too many k-dramas. ;)

Within a few scenes around episode 12, our writer-nim turned all the best made plans of our OTP into dumpster fires. It was makjang with a capital M. Every tropey subplots are dusted off and threw into the witches brew.

I know most viewers will feel aggrieved at this point. The show giveth and the show taketh away. It was as if a switch was flipped. The drama was injecting angst just for angst’s sake.

However, I do see some method to this madness. It largely comes down to the plot getting out of control as more and more characters are introduced which stretched the simple idea of diverting your worse fate to others difficult to sustain without creating a small singularity. I'm sure our writer-nim planned it all along but it was not a good look when the proverbial hits the fan.

With this in mind, the writer-nim basically did a hard reset, allowing her to set the stage for the final confrontation. It might feel like a hack job but the show gets away with it because it is a dark fantasy. Paring back the modern trimmings, it could have been a tale told by the OG Brothers Grimm. Gruesome deaths are far more likely than singing woodland creatures.

Thankfully, there is light at the end of the tunnel, and there is much rejoicing when the inevitable all happened on cue. This leads us to one of the most detailed and sweetest fan service episode for many moons. It is not brilliant writing but the little lumps of sugar just kept coming and we stop caring.

In terms of acting, I’m happy to report that PMY has got her mojo back. As a fan, it pains me to say that her last few dramas were (cough) patchy. It certainly was not on par with earlier shows like Secretary Kim or Her Private Life. While this show is still not up there, they definitely share some DNA.

This is further helped by the acting of the ML and their chemistry. He might not be the classic handsome lead but he more than made up for it with other attributes. He complimented her evolving character well. On the other hand, the antagonists are one dimensional and predictable. That's ok because this is not a convoluted mystery drama, their actions are all laid bare from the start. They are there as focus of our ire, this they managed to do with single minded efficiency.

In the end, I had high hopes and the series mostly delivered. However, it did stumble in the last 1/4 of its run. It almost stole defeat from the jaws of victory. I’m glad that the show recovers and ends well. It was a close call. I gave it an extra ½ point because of PMY. Fight me. :)

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A glorious blend of the good, the meh and synchronised flag-waving

This is a very watchable show, but its plots and tone change so often that you feel exhilarated and exhausted in equal parts. This makes it hard to give a concise rating. When it is good, it is heartfelt and stirring. But it can also get cheesy with a side order of jingoistic flag-waving. I suppose my rating is between 8 and 8.5.

At its core, this is about the aborted love story of a pair of teenagers who met towards the end of high school. Their budding relationship was torn apart by the FL’s domineering mother. They met by chance ten years later and things develop from there. If the plot sounds tropey then here's your gold star. This show walks on familiar paths but it does set a cracking pace.

During early episodes, our leads would "chance" upon each other repeatedly. When you realise one is a firefighter and the other is an ER doctor it means they only meet at emergencies. Consider even a small city in China can house millions, that’s a very small but dangerous corner they live in! It feels so contrived and is almost farcical.

All these entanglements finally brought them back together and this is essentially the glue that held the show together. Once we get past the push-pulls and denials, we have a very romantic pairing. Our leads have good chemistry, and they are certainly photogenic. It was gratifying to see the FL grows a spine and stands up to her controlling mum once she is all in. Amore trionfa sempre!

While both stars are beautiful people, Yang Yang is the face of this show, and he is everywhere. This can cut both ways. Fans of YY will rejoice but someone who is less enamoured might start to notice some flaws in his acting.

The other star of the show is the firefighters and their daily grind provides most of the subplots. A shoutout to the ensemble cast who filled the ranks. They must have trained hard for their roles. Some of the action/training scenes look very challenging. They are ably supported by the staff of the ER department where the FL works. However, these plots are a mixed bag. It can go from inspiring and exciting to banal. I appreciate the work of first responders, and I'll not begrudge their moments in the sun. However, some of the dramatisations are over the top. Plots and pacing is uneven. There are a lot of nationalistic messages aimed at the local audiences. Your mileage will differ.

The mother of the FL is straight out of central casting. She is the personification of a rich, immoral, domineering matriarch. She can probably trace her matrilineal line to a Tang Empress. She is a force of nature and rules with an iron fist. The only problem is that her role is very one dimensional. Her only goal is to obtain power, wealth and a total control over her serfdom. She never has a moment of self doubt or regret. It is tiring to watch her do the same thing over and over. Her “Death Bed” conversion feels particularly contrived.

In the end, fans of the leads will be happy, the production value is high, particularly some of the action set pieces. There are impactful and poignant moments that will stay with you. The romance is sweet and swoon worthy. Once the OTP get together, they skipped the handholding and went straight to home base which is rare in a c-drama. However, it is an inconsistent grab-bag of highs and lows, original ideas and contrivances. This annoys me because I really wanted to recommend this show unreservedly, but I can’t.

I can certainly rewatch some of the romantic scenes (repeatedly) but not the whole 40 eps. OST is very nice.

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It is not always about the OTP

This show is a rewarding watch with a nice positive message and a fluffy, easy going style.

Ok, now that the review is over, let’s talk about something else.

There is a well-thumbed rom-com playbook that is passed between writers with reverence. On page 2 of the sacred text is this rule. “A second male or female lead must be unlikeable and possibly despicable. He or she shall do all within their power to break up the OTP.” I don’t know how many shows have followed this golden rule to the letter, but I have ran out of fingers and toes a long time ago. Once in a long while, a show will break this rule.

The characters in this show feels real. They are far from perfect, and they will act selfishly when the need arises. They are just normal people who are reacting to circumstances. Both the second leads are in love with the respective leads so they gave it a red-hot go in their pursuit of happiness. However, once they knew the race is lost, they bow out gracefully. It is sad and the scene where the SFL proclaimed that she just threw away her own happiness is gut retching. However, you have to give them their dues and respect their honesty and dignity. It might sound trite but that is a lot closer to reality than the same-y win-at-all-cost type being dished up nowadays. I won’t go as far as saying that I have 2nd lead syndrome, but they are worthy contenders. Speaking of which, a good example of second lead syndrome can be found in She Was Pretty. Salute!

BTW, the side characters in this show are all nice, decent people. Solid friends and co-workers whom you would be proud to associate with. Even in that sense, the show is refreshingly different.

I can’t give this a perfect score because it is just an unpretentious, fluffy little rom-com but it has a special place in my rewatch list. This show will recharge your emotional battery and make you swoon. Peace out.

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Sharing IS caring

This show is unabashedly sentimental with the focus on the overwhelming grief suffered by the college age FL. She recently lost her grandmother who is more like a mother to her after the sudden death of her father through misadventure 5 years previous. It is a blow she is ill prepared to handle. Her life grinds to a halt at that point.

Sharing meals is a common device used to signify a bond between friends and family members. We see flashbacks of meals happily shared in her humble abode with her closest friends and small family unit. It contrasted starkly with the scenes in the present where she ate bento boxes bought from convenience stores in silence with the TV providing nothing but background noise. The loneliness and heartache are palatable.

However, her seemingly unrelenting despair began to lift once she started to work at a cafe called Finland Papa. The whole raison d'etre of the establishment seems to be the healing of those who work there. The writer-nim certainly took some liberty with the narrative here. Just don't ask too many questions. ;)

FL is the focal point of the show, and she has to display the broadest range of emotions. I think she did well, and she was ably assisted by the ensemble cast. Speaking of the ensemble, I'm not going to spoil their stories. The writer-nim doesn’t have time to paint with a fine brush, so we have to settle for some broad strokes surrounding their tropey backstories. Nothing untoward and certainly within the realm of plausibility. I almost forgot to mention, the grandma character is the underpinning of the main plot. She dispenses wisdom and bonhomie to all who would accepts her hospitality.

This leads us to the other key motif of the show. The found family trope is a favourite for a good reason and it is used to good effect here. The motley crew working at the cafe started with a love-hate relationship. Their growing bond is what gave them strength to heal through their various wounded psyches. While the process is a foregone conclusion, its steady progress is nice to watch, nevertheless.

The show will hit you with the feels as long as you are not too critical about the simple story and straightforward delivery. There are no high dramas nor funny gags. But sometimes you just need a show like this to give you an excuse to step away from our crazy world for just a moment. I'd like to think of this show as is a soothing salve to the soul. It won't appeal to everyone but that's ok too. That just means there are more Xmas parfait for me. :)

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If Xianxia rom-com is a legit sub genre then this is a very good example

I don't watch many Xianxia nowadays because a lot of them, in recent years, relies too much on (questionable) CGI and lazy scripts that have tropey paper thin plots and are devoid of fresh ideas. Hence, it is with some trepidation that I started to watch this show solely based on personal recommendations. I'm happy to report that this Show is good, very good.

The basic story is nothing new. Multiple realms exist between heaven and the underworld. They alternate between warring with each other to an unstable truce. Enter the human emperor who decided to buy time for us weaklings by marrying one of his beautiful and smart daughters to the empyrean prince while farm off the unloved one to the crown prince of the underworld. So far, so tropey.

Forsooth, not exactly LOL material, right? Well, hats off to the writer. She managed to inject a lot of fun and comedy into this show. It is a revelation. It runs the full spectrum of jokes, innuendos, slapstick and sight gags. All this hijinx is integrated right through more than 3/4 of the Show. Of course, there are serious moments, but it is just as likely the next scene will drop you straight into an elaborate sight gag that will makes you LOL.

This includes a very long and elaborate mid show story arc that have the ML play three completely different roles. Forget second wind. This is third and fourth. The audacity! Naturally, not every moment is golden but it kept the momentum going long after similar show would have suffered serious mid show drag. Bravo!

Acting is great from our leads. It was a revelation that the stoic Xuan Shang has a comedic side which is well matched by the minx like Li Guang Ye Tan. Their love-hate relationship is worth the price of admission. The second pairing of Chao Feng and Li Guang Qing Kui pales a little by comparison. It is largely due to their story is being set in the dark and oppressive underworld. Their characters are also a bit more traditional Xianxia compared to the OTP. Both CP have swoon worthy love lines and decent amount of skinship.

The big ensemble of side characters is a bit of a mixed bag. Some have real depth like Man Man and Wu Dai while others are just punchline for the many gags. It is an above average ensemble and they helped to move the plot along and entertain us with their antics.

Is the Show perfect? Not quite. The setting of heaven and the underworld is very cliché. Empyrean realm is quite artificial. Lighting is too bright, and colours are washed out. It might look “ethereal”, but it is also boring. On the other hand, the underworld is too dark, and the theme is confusing. It swings from gothic grandeur to dank subterranean without a strong sense of coherence. It is supposed to be oppressive and foreboding but does look a bit cheap at times.

CGI is the bread and butter of Xianxia dramas, and this show doesn’t disappoint. There are a good variety of effects to signify different types of powers. There are also some practical effects and stunt work. Overall, it is a respectable effort and complemented the story well.

While the general screenplay is a cut above, it is still a Xianxia drama at its core and some of the plot holes are hereditary. It really comes down to “ask no questions and you’ll get no illogical answers”. As long as you don’t hate Xianxia dramas, the engaging plots, swoon worthy love lines and abundant humour will carry you to the end.

Speaking of the end. The ending and the several episodes preceding it are probably the closest the Show got to high drama. It is impactful and emotionally charged. I won’t give the plot away other than to say that the ending is generally considered a happy one, but I would prefer to call it encouraging rather than HEA. Its interpretation will be up to the individual.

40 episodes is too long for a rewatch and the jokes will be stale by then but I’d have no problem watching a highlight reel. The OST is nice but some songs are on high rotation and it can get a bit repetitive.

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I don't think I'll see you again

This show's plot is paper thin and it is quite predictable. It pretty much played in one sandpit for the whole show with passable production values. There is little nuance or growth to the characters and their romantic developments are on rails.

All the usual youth romantic drama tropes are present; love at first sight, crushes, envy and fated meeting as kids. The plot regarding the FL's Prosopagnosia is poorly represented and not really explored. It is just used as a device for minor gags or token angst until the ML shows up as her knight in shining armour.

As expected, the plots are factory standard issue and the pairing of the protagonists are obvious from the start. It is just a matter of getting over the meet-cutes, push-pulls and failed confessions. Sadly, there is scant chemistry between the three CP's which netted a token amount of skinship. I get the OTP pairing (fated and all) but the other two pairs are hardly match made in heaven. What is more concerning are the weird editing, disjointed narrative and phantom side plots that literally appears for a few scenes and then forgotten. Choppy is a good way to describe this show.

Acting from the young leads are passable. They are energic but prone to overact. I have seen worse and they do try. The support cast is another story. Most are no better than extras handed a couple of lines of dialogue and it shows. I do wonder if the production company approached a local college to do a collaboration and held an open call for extras and bit parts. There is certainly no shortage of extras for many scenes.

The plot twist towards the end was totally contrived and unnecessary. It did manage to pad out the runtime significantly so job done. The HEA ending rolls in as expected. The final scenes after the big time skip feel amateurish and rushed.
If you are interested in a drama about Prosopagnosia, try The Secret Life of My Secretary. So, so much better.

This is a messy and unengaging filler. One time watch for me. Peace out.

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A healing drama is just like a donkey . . . I mean onion

On the surface it is a short, slow burn romance with low angst. We need to peel back some layers to find the deeper meanings.
The ML is a tortured soul whose near perfect world collapsed in short order due to his gradual loss of hearing. He doesn’t know how to deal with it, so he became withdrawn and pushed everyone away. He tried to join the deaf community but finds that he is still on the outer because he was not born deaf. He came to the sad conclusion that EVERYONE sees him as being different and there is nowhere he truly belongs.

I believe that one of the motifs of the Show is how society divide people based on many assumed and perceived criteria into different groupings. Both real and invisible barriers are here to segregate and isolate them into smaller cliques.

Our need to belong creates pressure points in our social interactions. It can be exhausting and debasing when we run into unyielding barriers. How horrible it is when you are yanked from a comfortable reality into a new one where you are confused and lost.

It was fortuitous that the ML met a kind deaf girl. She befriended him and helped him to learn the sign language. It is not acceptance but at least he can function again. Their relationship is ambiguous. The girl is clearly interested in him, but he is afraid of commitment and shows no inclination to take their relationship to the next level. The girl is happy to stay in the friend zone as she has him all to herself. However, all that changed when the ML's ex-girlfriend ran into him by accident and started a chain reaction that changes several lives.

For me, the Show is a beautifully crafted story about rediscovering love, friendship, sacrifice and the need to compromise. I don’t want to give away the plots regarding the SML and SFL but let's just say that I'm getting serious second leads syndromes by the end of the Show.

From my perspective, the first half of the Show is very well done. There are lots of backstories, raw emotions and misunderstanding before the fateful reunion. The show took its time to explore all this. It was never going to be a joyride but the writer-san skilfully weave the story back and fore along the timeline so that we know how each character arrives at their current circumstances. There were plenty of broken psyche that needs healing. They get patched up enough to keep functioning but not completely healed. The amount of baggage carried by the ensemble cast will keep a caravan of camels fully loaded.

Unfortunately, while the Show start to untie the knots and salve the troubled souls in the second half, it is a slow process. The pacing of the show becomes almost meditative.

The healing and exploring requires a lot of dialogues between the OTP and sometimes side characters. I think the writer-san wants to show how difficult communication can be even though it is based on a common language. We ended up with a mix of sign language, written words, phone apps and normal conversations. It can be slow going as the ML has to keep the signing slow and simple so that the FL can keep up. It is like watching two primary school kids trying to communicate. They do resort to writing sentences on paper when it got too complicated.

In the end, the bulk of the breakthrough came in the last episode. All the affirmations and compromises are nutted out then. Some of the best scenes are also found there.

The FL worked hard to live in his world and she cajoled the ML into compromising his unyielding stand. It is a fragile middle ground but one they can call their own.

The acting is great with a lot of depth. Without spoken words, they need to emote with their facial expression, posture and their eyes. That requires real skills.

The loveline of the OTP is sweet-bitter-sweet. It is ashame that there is almost no skinship.

I can recommend this show but you have to be in the right frame of mind to appreciate it.

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There is no escape from the mundane

I'm a bit late to this party as I binged the whole series a few months ago and I was a little OD on the characters when this special came out.

I finally got around to watch it and it is nice but it lacked the original's freshness. The quirky relationship of the leads have mellowed into domesticity. They still have this partnership arrangement but is now more relaxed and accommodating. The growth is nice to see but this is dramaland so it can't be all smooth sailing.

To stir things up we are going to have a baby! Hooray! Cue all the tropey stressors and complications that goes with a pregnancy. It ticked all the boxes and they covered a lot of work and societal issues but it wasn't anything new nor particularly egregious. Most are bullet points that are instantly recognisable. There are few hard and fast answers as their options are limited.

The addition of the covid lockdown was topical. It is done with a light touch as none of their family nor friends got sick so the Show mostly dealt with the initial shock, prolonged isolation and longing as the whole country went through a painful period of apprehension and uncertainty.

The acting is par for the course with few surprises.

The Show is largely fan service and a satisfying watch for their fanbase. We got more antics from the leads and their friends with minor updates. For some, this is perfection. However, with only two hours to play with, there are a lot of assumed knowledge about the backstories of the ensemble cast. If you haven't seen the first series then you should start there or it will be quite baffling.

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