Această recenzie poate conține spoilere
Nevertheless, I was enthralled.
This was a story about a toxic relationship. One with both right and dark moments. Our main character, Na-bi, who just came away fro a bad relationship, sees the signs immediately that she shouldn't indulge in this situation, but there was something intoxicating about Jae-eon. There was so much raw sexual energy between them that you can see the pros of pursuing it. The show was immaculate in creating situations where you find yourself cheering for them; the interactions at Na-Bi’s home and at the club were instant YES’s for Jae-eon and Na-Bi. Jae-eon is basically a playboy (a f*ck boi would be appropriate for a mature drama such as this), so he knows exactly what to do and when to do it until he, himself, gets trapped into a situation where he starts to truly like Na-Bi but can't seem to stop his ways (meeting other girls, aggressive flirting). And when Na-Bi starts to drift away from him, his actions turn more vindictive and desperate. Those mesmerising eyes turn into awkward stares of that of a stalker. The scene on the ferris-wheel is when the wheels fall off, ironically. Na-Bi no longer felt comfortable with Jae-eon, preferring the lovely and adorable Do Hyuk. The descent from seductive to obsessive was a slow, thrilling one that had me along for the ride every step of the way. The main story isn't perfect however. We don't really know much about Jae-eon and his history. We only see glimpses of absent parents, odd relationships with ex-girlfriends. All done on purpose, obviously. But as Jae-eon’s character development is the main aspect of the story, we could've done with a fuller picture. The side plots were just as good. The relationship arcs of Bit-Na and Kyu-Hyun was arguably just as engrossing, with Bit-Na being similar to Jae-eon but more willing to change for her love. Likewise for Kyu-Hyun, who was Na-Bi except he was willing to say his thoughts and end the relationship when he felt tired. The LGBT elements with Yoon sol and Ji Wan were done nicely. At times, they can be forced and done to give the characters obstacles (Looking at Record of Youth), but it was done right. The writers did the plot proud.
I think this is a drama that goes against the usual K-Drama roads, so people will tend to criticise Jae-eon getting worse as a character, confusing it for bad storytelling when that's not the case. It's done differently and deliberately. Na-Bi doesn't really change as a character. You could criticise the writers for not making her go on some profound journey, and I guess I won't argue against that. We don't see enough of Yang Do Hyuk. And that's a shame because he was a great character, but I believe that was due to circumstances beyond anyone's control. And the ending. I haven't read the webtoon but apparently it stays true to it, so there is that. Is it the right choice? I don't really like saying yes or no because people feel how they feel. Gun to my head? I'll say that it wasn't. Nevertheless,
I think this is a drama that goes against the usual K-Drama roads, so people will tend to criticise Jae-eon getting worse as a character, confusing it for bad storytelling when that's not the case. It's done differently and deliberately. Na-Bi doesn't really change as a character. You could criticise the writers for not making her go on some profound journey, and I guess I won't argue against that. We don't see enough of Yang Do Hyuk. And that's a shame because he was a great character, but I believe that was due to circumstances beyond anyone's control. And the ending. I haven't read the webtoon but apparently it stays true to it, so there is that. Is it the right choice? I don't really like saying yes or no because people feel how they feel. Gun to my head? I'll say that it wasn't. Nevertheless,
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