Cute drama to kill time

The drama's biggest appeal is a strong and assertive female lead who holds her own against money and power. Unfortunately, Kim Da Hyeon's assertiveness disappears in later episodes. Instead of being smart and level-headed, she is reduced to a hormonal teenager who fails at communication after a slew of misunderstandings. Although, the main couple resolves their issues fairy quickly, Da Da's propensity to ignore Lee Jae In's phone calls and throwing mini temper tantrums becomes quite tedious.

The writers build up Jae In to be an aggressive male lead with an explosive and rude personality. They throw in every tsundere cliche of him wanting Da Da to dress modestly and getting overly handsy, which is off-putting. However, I appreciate that his treatment of his employees changes for the better as he starts to fall in love.

I like the romance and chemistry between the main leads. But, that's all the drama has to offer. All of the secondary characters are very shallow and forgettable. Most of them exist purely to drive a wedge between Jae In and Da Da without having any other purpose or a personality. Han Joo Hee's entire existence is to serve as a romantic rival and appear in front of Da Da spouting the same boring nonsense about her leaving Jae In.

The pacing is alright. But, because the writers do not bother developing an actual plot outside of romance or any of the side characters, 16 episodes seem a lot for such a shallow story. The drama would've benefited from 12-14 episodes.

Overall, the show is enjoyable but forgettable. It was a one-time watch for me.

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Tragic, memorable, and sometimes frustrating

Watching this drama for the first time in 2024 made me appreciate how far k-dramas have come in terms of production, costumes, and picture quality in the last several years. I won't judge harshly based on those factors because this show is obviously dated, but, ugly costumes with atrocious color combinations and poor set design are hard to ignore. This is not to mention that a palace, that is supposed to be bustling with activity, looks like a ghost town. There are no maids, eunuchs, or guards anywhere in the courtyard. For such a large production, this is rather odd.

"Moon Lovers" is very well rounded in terms of pacing, storytelling, and character development. The plot is engaging and the pacing is consistent from start to finish. One thing I like is that it does not fixate on one relationship over another. We don't have to sit through a dozen of episodes of Wang Wook and Hue Soo's failed romance while other princes are patiently waiting their turn. Soo's relationship with each prince is uniquely developed from the beginning of the story. So, before the Wang Wook romance arc ends, the writers already give us plenty of meaningful scenes with Wang So and his growing feelings for her. The icing on the cake is Lee Joon Gi's masterful use of facial expressions showing Wang So hopelessly falling in love with her.

Wang So is probably one of the most tragic and misunderstood protagonists in a k-drama. Mysterious and brooding, he looks like he stepped right out of the Phantom of the Opera wearing a mask to cover a face scar. But, under the mask, he is an extremely complex character. The drama relays that complexity rather well through his contentious relationship with his mother, Queen Yoo, giving us a glimpse into his tragic past full of abuse and abandonment, and the man he has become - still a confused and heartbroken kid longing for his mother's love. The most tragic thing about him is that he does not do anything wrong but is forced to make difficult decisions. But despite all that, he is always judged harshly by everyone he cares about who eventually leave him. I don't really understand the point of writing such a tragic character. Tragedy is ok, but Wang So has no hope and nothing to look forward to. He is always alone from the very beginning until the end. Even an opportunity to raise his daughter is unfairly taken away from him.

I liked Hae Soo at the beginning. But, as soon as the drama starts turning into a Shakespearean tragedy, I became extremely disappointed in her. On one hand, she is kind, intelligent, thoughtful, and ridiculously courageous. On the other hand, she is naive, shallow, and judgmental. She accepts So's choice to seek the throne, but never understands the reality of being a king and the responsibilities that come with it. Instead of trusting him with his decisions, she keeps holding on to the unattainable and childish dream of being able to be together if they love each other while judging him for being harsh against the people who seek to harm him. The most tragic and unforgivable thing she does is making no effort to explain to So that her love for Wook was a thing of the past making their last face-to-face encounter filled with resentment and heartbreak.

Some plotlines are poorly thought out and very illogical. Wang So is not stupid, but his complete lack of insight when he rips up King Moo's last decree and leaves it on the floor as evidence is mind boggling. And then there is Prince Yo getting thrown off a cliff then returning in one piece. The writers needed something to move the plot forward, but this type of nonsensical writing makes smart characters look stupid.

The romance is very different from anything I've seen in a k-drama. This is not a typical star crossed lovers or a tragic romance story. The plot takes a rather realistic view of relationships. We all experience bad timing, missed opportunities, and inability to cope with each other's character flaws. This drama paints a harsh picture of what happens when couples go through all that. No matter how much we want it, love is not always enough. Lack of trust, miscommunication, and resentment all play a big part in the main couple's separation leading to loneliness and a lot of regret.

The ending, although tragic, is somewhat open-ended. She says "if we met in another world, at another time, we would have been great together". He says "if you and I are not from the same world, I will find you." These phrases alone are enough to foreshadow a future reunion. But, until there is a sequel, all we can do is resort to writing fanfiction and pretending they have a happy ending 1000 years later.

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House of cards

The Glory is definitely on the next level with the storytelling and character development. Although it recycles the old combination of bullying and revenge tropes, it is not your average revenge drama. It's dark, gripping, and with no promise of a happy ending.

Part 1 sets the stage for Moon Dong Eun's revenge. It weaves between the past and the present painting a complex picture of each individual character and uncovering a history of violent bullying. It also shows the source of the heroine's determination. Being a victim built up her character and gave her a purpose. She is no longer a downtrodden victim of violence, but someone who uses that victimhood to eventually push back against her abusers.

The story is a psychological game of chess. Dongeun concocts a careful plan to bring down her childhood tormentors' house of cards and illusions of a happy, carefree life. She uses their weaknesses, arrogance, mistakes against them. But, although revenge is her main objective, Dongeun is not someone who blindly aims to destroy her abusers. She carefully applies pressure on their weak points to reveal their true selves to the world, so they can be judged either in the court of public opinion or being held criminally responsible for past wrongdoings.

The story also draws parallels between individual characters. Dongeun matures from a meek and obscure teenager to an intelligent and calculating woman. She is level-headed, manipulative, and carefully plans ahead. But, the bullies did not change in the slightest. They are still the same bored, rabid, shallow clique of sociopaths and drug addicts who preyed on the weak in high school. And, this lack of maturity and extremely predictable behavior will contribute to their eventual downfall.

My favorite thing about this drama is Dongeun and Joo Yeo Jung's relationship. Yeojung first comes off as a care-free young doctor from a privileged family who does not know struggle. Dongeun even comments about him talking in platitudes without knowing life. In reality, Yeojung is just as broken as her because of past family tragedy. And this trauma is what develops their relationship and brings them close making Yeojung her ally and "executioner".

This is only part 1, but it is already one of my favorites. I am exited to see where the story goes in part 2.

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Good production but what's the point?

I would've had a lot more appreciation for this movie if it served as a character prequal arc to Kingdom season 3. Otherwise, there is little to no point to this story without season 3.

Ashin is purely driven by her desire to avenge her village and family. She is cruel and insane and wants to see the world burn. She is the one who unleashed the plague of undeath on the world and her motivation is no other than complete world destruction. She is a typical one-dimensional villain who might've had compelling reasons at the beginning, but turned so completely evil that there is no sympathy for her.

The movie has good production, cinematography, and acting, but it has nothing else to offer in terms of plot and character development. So, she is driven by vengeance, big whoop. Without Kingdom season 3, none of it means anything.

Overall, I watched it just because I watched Kingdom and wanted to see who the mysterious woman at the end of season 2 was. I am completely unimpressed by this character. She is just another lunatic blindly driven by revenge to destroy the world.

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The show continues to be funny, clever, and very very entertaining. However, the story is missing a central plot that ties everything together.

It's not clear what the drama is trying to achieve. Is it a find your origins story? A quest for power? I have no idea because the plot is all over the place. Season 2 gave more explanation about Fan Xian's background, where his mother came from, but still left a lot of questions unanswered. Several key characters discussed finding the temple where mom came from, but no steps were taken to actually find it. Fan Xian constantly talked about bringing justice to the world, but the never-ending slew of conflict between the royal family and officials always kept him occupied with the current problem at hand. What is the end goal here?

I liked what the writers did with Waner's character. In season 1, I didn't think she fit Fan Xian's personality very well being very submissive and non-confrontational. I always found him having way more fun and chemistry with other female characters. But, in season 2, she came a little bit into her own and started making her own decisions. I also liked how she was able to figure certain things out without falling victim to someone else's manipulations.

Some of the character personalities completely changed. The crown prince was a lot meaner in season 1. In season 2, he is a lot friendlier and nicer. The second prince went from being kind of ambiguous to more villainous. The show spent too much effort subverting viewer expectations, than creating a central plot.

The best part of the story is the music. It's very goofy and completely out of place. We go from fighting sequences with Spanish-esque party music to Nordic yodeling. It's completely ridiculous and hilarious.

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Bland

The drama was exciting for the first few episodes and in the last few episodes. Everything in between was boring.

I did not like any of the characters. Both ML and FL had no personality and chemistry. The crown prince had a resting bitch face 90% of the time. And FL had one surprised/confused look with pouty lips. When he confessed his feelings for her he had the same expression when complaining about being uncomfortable.

There was no growth or character development either. The writers could've done so much with Yul's character when he lived in the village with amnesia. He hardly did anything but still complained a lot.

When I read the synopsis, I was excited about the plot. The story ended up being completely uninteresting.

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When a show takes itself too seriously

If you enjoy a good plot, you won't find it here. This is a very character focused drama. In every episode, there are scenes upon scenes of flashbacks and characters reminiscing on their tragic past. We know this guy and that guy had sad childhoods. We've already seen that in the last 20 flashbacks and teary scenes. We don't need more. There is no actual plot to be derived from it.

I am on episode, 6, and nothing has happened so far. Instead of developing an actual plot, the drama abuses every possible cinematic cliche, including stills, slow motion, dramatic music. If the showrunners wanted us to derive something profound out of it, the only thing I derived was boredom. I am not sure why this drama is so highly rated. There is no plot. Characters do the same things in every episode and there are melodramatic tropes everywhere.

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Bad acting, bad plot, bad everything

A lower class FL with amnesia and a super important destiny to be discovered? Check. FL having a childhood crush on a sect leader's studly son? Check. A jealous side chick who likes the sect leader's son and hates FL because the son likes FL? Check. Side chick keeps bullying FL because of her jealousy? Check. An adoptive uncle giving FL a super important artifact to help her find her identity? Check. A mysterious ML who is so much better than the sect leader's son and who falls in love with FL? Check. FL going on a quest to uncover her destiny and meeting a slew of side characters to help her on the way? Check. Want something new and interesting? You won't find it here.

Some acting was just terrible. I wasn't sure whether Zhan Beiye was a serious character or a caricature because of Gao Wei Guang's extreme overacting and dramatic staring. Lots of characters yelled a lot instead of just speaking. There were also long periods of time where ML and FL were separated. At those times, Yang Mi didn't have the acting chops to carry the story on her own because of her consistent stiff acting.

The plot was repetitive and kept recycling itself. ML and FL met up briefly, got separated, then they met again, then got separated again. Pei Yuan was unintelligent and completely uninteresting as a villain. She had no personality outside of her superficial hatred for Fuyao and an endless pursuit to kill her. Again and again she would act out to try to kill Fuyao and fail, just to try again and fail again. There was zero entertainment in that.

Overall, the drama started out interesting but the plot quickly frizzled out into bland and repetitive tropes.

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nope

I am not sure if it was a good idea to remake Hana Yori Dango into another live-action. Cliche plot and ridiculous storylines about bullying made this story hard to follow. Fortunately, the writers toned down the bullying in this version, but it did not improve the plot.

One of the major issues that plagues all of the live-action version of this drama is the fact that none of them show genuine romantic chemistry between the two main characters. There may be justification for it because the story is set in high school, so it can't be too mature. However, this version is set in college so the characters older. Yet, romantic interactions are still dry and uninteresting. The female lead acts like the male has the plague every time he comes near her. There is nothing to look forward to in their scenes together.

If there is another live-action remake of this manga, I hope the writers show real chemistry between the main couple or stay completely away. We don't need another live-action cringe with more of the same.

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Dumb cliché tropey mess

This review is only for the first 4 episodes because I couldn't handle more.

For the life of me I don't understand all of the positive reviews. This is a not a terribly old show being released in 2013, but it looks like it was made in the 90s. I felt like I was watching Xena the Warrior Princess because the show was filled with so many cliche tropes and looked outdated.

Moreover, the gender bender trope is utterly suspect. Two grown man are having a crush on a boy, who is actually a girl, but think that she is a boy, all the while trying to convince themselves they are not gay after having erotic dreams about the "boy". Then, they actively compete with each other in a jealous rage for the "boy". The whole "I'm not gay" thing would've been more convincing if they secretly knew that the "boy" was a girl. Please, lets burn the gender bender trope with fire.

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